A decades-old folk tale surrounding a deranged murderer killing those who celebrate Valentine's Day turns out to be true to legend when a group defies the killer's order and people start turning up dead.
Little Billy witness his parents getting killed by Santa after being warned by his senile grandpa that Santa punishes those who are naughty. Now Billy is 18, and out of the orphanage, and he has just become Santa, himself.
Charles E. Sellier Jr.
Two siblings and three of their friends en route to visit their grandfather's grave in Texas end up falling victim to a family of cannibalistic psychopaths And must survive the terrors of leatherface and his family.
An unknown killer, clad in World War II U.S. Army fatigues, stalks a small New Jersey town bent on reliving a 35 year-old double murder by focusing on a group of college kids holding an annual Spring Dance.
It's time for Christmas break, and the sorority sisters make plans for the holiday, but the strange anonymous phone calls are beginning to put them on edge. When Clare disappears, they contact the police, who don't express much concern. Meanwhile Jess is planning to get an abortion, but boyfriend Peter is very much against it. The police finally begin to get concerned when a 13-year-old girl is found dead in the park. They set up a wiretap to the sorority house, but will they be in time to prevent a sorority girl attrition problem?Written by
Ed Sutton <firstname.lastname@example.org>
Due to the film's shoestring budget, some of the actors were encouraged to provide some of their own clothes for the film production. See more »
About seven minutes into the film, when "the moaner" calls, you can very clearly see the boom mic at the top of the frame as everyone gathers around the phone to listen. See more »
Nash, you stupid son of a bitch; you've got a big goddamn mouth!
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A telephone is continously ringing throughout the final credits. See more »
The UK cinema version was cut by the BBFC to remove all instances of the word 'cunt' from the obscene phone calls, together with some of the other crude sexual references during the same scene. The 2003 Tartan DVD release restores all previous cuts. See more »
"Black Christmas" is truly a forgotten gem. Even though the producers intended the film for cinema, "Black Christmas" has the look and feel of its precursors, the made-for-television gothic suspense thrillers between 1969 and early 1974. This four year period featured inexpensively-produced but having hi-quality production values that older viewers will remember. These include, "A Howling In the Woods", "When Michael Calls", "How Awful About Allen", "Don't Be Afraid of the Dark", "Home for the Holidays", et al. "Black Christmas", produced at the tail-end of this short-lived genre, clearly displays the same suspenseful and moodily atmospheric elements involving human angst, fears, anxieties, and complicated, sometimes destructive relationships. In one small aspect, "Black Christmas" is a transitional film set between the television gothic supsense thrillers and the onset of the slasher genre epitomized by 1978's "Halloween" and 1979's "Friday the 13th". The violence was certainly more graphic than its television precursors, but not gratuitous. Foul language sprinkled throughout "Black Christmas" would never have made it past the television censors. And look again at "Halloween". It's reliance on atmosphere, moodiness, suspense, and the fright of awaiting something that is surely around the next dark bend of the house harkens back to the early 70s gothic thrillers. "Black Christmas" is from a unique genre long gone and will probably not return, but for those seeking quality shockers without the schlock will no doubt find repeat viewings of this suspense film noir satisfying.
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