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Murders in the Rue Morgue (1971)

PG-13 | | Crime, Horror, Mystery | September 1971 (USA)
Paris...at the turn of the century. Inspector Vidocq investigates a series of unexplained murders at a Grand Guignol-type theatre...where the players have suddenly become real-life victims. Based on the story by Edgar Allan Poe.

Director:

Gordon Hessler
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Cast

Cast overview, first billed only:
Jason Robards ... Cesar Charron
Herbert Lom ... Rene Marot
Christine Kaufmann ... Madeleine Charron
Adolfo Celi ... Inspector Vidocq
Maria Perschy ... Genevre
Michael Dunn ... Pierre Triboulet
Lilli Palmer ... Mrs. Charron
Peter Arne ... Aubert
Rosalind Elliot Rosalind Elliot ... Gabrielle (as Rosalind Elliott)
Marshall Jones ... Luigi Orsini
María Martín ... Madam Adolphe (as Maria Martin)
Ruth Plattes ... Orsini's Assistant
Rafael Hernández ... Member of Repertory Company (as Rafael Hernandez)
Pamela McInnes Pamela McInnes ... Member of Repertory Company
Sally Longley Sally Longley ... Member of Repertory Company
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Storyline

In Paris, in the beginning of the Twentieth Century, Cesar Charron owns a theater at the Rue Morgue where he performs the play "Murders in the Rue Morgue" with his wife Madeleine Charron, who has dreadful nightmares. When there are several murders by acid of people connected to Cesar, the prime suspect of Inspector Vidocq would be Cesar's former partner Rene Marot. But Marot murdered Madeleine's mother many years ago and committed suicide immediately after. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Add Synopsis

Taglines:

Edgar Allan Poe's classic of the grotesque!... See more »


Motion Picture Rating (MPAA)

Rated PG-13 for some violence | See all certifications »
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Details

Country:

UK

Language:

English

Release Date:

September 1971 (USA) See more »

Also Known As:

Edgar Allan Poe's Murders in the Rue Morgue See more »

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Box Office

Budget:

$700,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Debut theatrical feature film of actress Brooke Adams who appeared uncredited as a nurse. See more »

Goofs

The use of a stunt-double for Lom is also obvious in the fight-scene with Robards in which Robards punches Lom and sends him crashing into a table. See more »

Quotes

Rene Marot: Yes, Madeleine. There stands the axe-man of your dreams.
See more »


Soundtracks

La Marseillaise
(uncredited)
Written by Claude Joseph Rouget de Lisle
Sung in the theatre
See more »

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User Reviews

MURDERS IN THE RUE MORGUE (Gordon Hessler, 1971) **1/2
13 October 2004 | by Bunuel1976See all my reviews

Apart from SCREAM AND SCREAM AGAIN (1969), this was the one Hessler film I was most looking forward to, also because I failed to grab the single opportunity I had had so far to give it a view; the fact that it was, in all probability, the 87-minute cut messed up by the studio (which I would love to watch, if only for the sake of comparison), keeps gnawing at me even now!

Now, for my thoughts on the film: despite an interesting 'revisionist' premise (with its various subtexts) - inspired by but not based on the Poe original - all in all, I found the film rather dull and Hessler's direction disappointingly lifeless, if pictorially valid (as we had come to expect of him by now). Still, one cannot really blame AIP for straying so far away from the main source: as Hessler himself says in the interview on the DVD, everybody already knew the ending to Poe's story - so it would not have 'worked' had they simply adapted this to the screen. Therefore, the writers had to reinvent the plot – and the way they went about it, i.e. 'working' around Poe's very tale (as it's being presented at a Grand Guignol theater) was actually quite ingenious! Having said that, however, what kind of a story do you 'invent' that could center around the stage if not the old 'Phantom of the Opera' routine?! So, I guess, every 'revisionist' adaptation - however novel – has a downside, too!

While I don't really see Vincent Price in either lead role, it's very much true that – as it is - Herbert Lom was basically going through the paces (having been THE PHANTOM OF THE OPERA [1962] for Hammer), while Jason Robards' mind was clearly elsewhere. Truth be told, theirs was interesting casting, but I have a hunch it would have worked even better had the two roles been reversed (as Robards himself seems to have suggested during filming!). The rest of the cast – Christine Kaufmann, Adolfo Celi, Michael Dunn and Lilli Palmer – were up to their (mostly unassuming) tasks, if not particularly outstanding.

The dream sequences (rather cerebral for this type of film) drew attention to themselves, particularly through the use of slow motion - and they were certainly effective, if not exactly creepy. As I have already stated, the theatrical and period atmosphere was well captured, in spite of the low budget, though I never felt like I 'was' in Paris (maybe because I knew beforehand that it was actually filmed in Spain?)!

Not having watched the 'original' version, I don't know whether I would have actually liked this 'Director's Cut' more if I had – which I did, by the way, but I somehow expected it to be better (maybe after the overwhelming positive response the recent discovery of this restored cut has generated?). I certainly don't think it holds a candle to Universal's flawed but fascinating 'Expressionist' version of 1932 (not very popular around these boards, I gather?) – though in all fairness, it's not quite the same movie, so there you are!


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