Gangland boss Vic Morono presides over a mixed pack of cards with the trumps being the 'The Four Deuces': Chip Morono, Mickey Navarro, Ben Arlen, and Smokey Ross. The abundance of humor, ... See full summary »
William H. Bushnell
Returning home late one night from a business trip to Mexico, architect Frank Delgado finds the car of wealthy client Alan Richmond in his driveway. Suspecting that his wife Margo and ... See full summary »
Karen wants more action out of life and quits her job at the cannery to become a skater in the roller derby. She encounters friction from the other skaters - especially Mickey, the current ... See full summary »
Betty Anne Rees
Marshal Wyatt Earp kills a couple of men of the Clanton gang in a fight. In revenge, Clanton's thugs kill the Marshal's brother. Thus, Wyatt starts to chase the killers together with his friend Doc Holliday.
The famous drag racer Lonnie 'Lucky Man' Johnson is the star of the Fast Company, managed by the corrupt Phil Adamson Lonnie is the mentor of the promising funny car racer Billy 'The Kid' ... See full summary »
Paris...at the turn of the century. Inspector Vidocq investigates a series of unexplained murders at a Grand Guignol-type theatre...where the players have suddenly become real-life victims. Based on the story by Edgar Allan Poe.
Ellen Gordon, a New York executive's mistress, falls for the executive's young business associate when he is accidentally sent to use the apartment where the executive and Ellen meet every ... See full summary »
Downcast bummer with a knavish handling of its basal issues.
Mentally/emotionally damaged 'Nam soldier returns to the states to find that his fiancée is no longer his fiancée. He takes residence in a Los Angeles rooming house full of various maladroits and flashes back periodically to the horrors of war, has coffee in a diner, makes love on a beach, gets into a fight, and drives around the greater L.A. area in his convertible to avoid the needy(and implied homosexual)fawning of one of his housemates.
Unquestionably a film of its time, it's one of those indies from the early 70s which presents zero entertainment value in the name of art, relying solely upon character analysis, reverie, and a string of innocuous non-happenings for substance.
The film's infrastructural issues of post-Vietnam isolation are serious and very sensitive, but are approached in an offhand manner which makes them feel rather provisional, if not exploitive. "JUD" is eighty minutes of ceaseless blue funk which feigns concern for its own causation, and lacks sincerity in its crusade. It is, however, always nice to get an eyeful of the late Claudia Jennings, who was among the loveliest screen visions of her time. Her presence is to this picture as the rose is to the cesspool.
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