A young couple moves in to an apartment only to be surrounded by peculiar neighbors and occurrences. When the wife becomes mysteriously pregnant, paranoia over the safety of her unborn child begins to control her life.
A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy.
Young adult Harold Chasen, solitary and friendless by choice, is obsessed with death, this fascination manifesting itself in he staging his own fake suicides, driving a hearse and attending funerals, even of people he doesn't know, all to the chagrin of his exasperated wealthy mother with whom he lives. Mrs. Chasen is determined for Harold to be "normal", including her sending him into therapy to deal with his issues and finding him a girlfriend through a computer dating service. It is at a series of funerals that Harold meets Maude, on the cusp of her eightieth birthday, she who too attends funerals of strangers. Unlike Harold, Maude is obsessed with life - her own life to be more precise - she does whatever she wants to please herself, damned what others may think or how they may be affected. Since she can't take material possessions with her, she is more interested in experiences, with whatever material possessions she has - often "borrowed" without asking - only to further those ...Written by
The Cat Stevens songs 'Pop' 'Star', 'Shine,' 'Time,' and 'Fill My Eyes' were originally to be used in the film. See more »
About 50 minutes into the film, when Maude is doing donuts around the officer, the driver-side window of the truck is alternately up/down between shots. See more »
[after spotting Harold hanging from a noose in the living room]
I suppose you think that's very funny, Harold... Oh, dinner at eight, Harold. And do try and be a little more vivacious.
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This art house favorite is a timeless classic and recommended viewing for all post-Catcher In the Rye teenagers. To modern viewers, the Ruth Gordon creation of Maude probably seems trite, but her Maude was fresh, original and daring in 1970 and the pre-Sophie's Choice twist in her history that Harold discovers was likewise unanticipated by early viewers. Unfortunately, Ruth Gordon went on to recreate this character in lesser films throughout that decade and the character of the eccentric old lady has become rather shopworn.
The Cat Stevens soundtrack is probably one of the most effective use of pop music in film ever.
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