Stuck in a dream world of his own, Italian sculptor Albert Saporito (Marcello Mastroianni) sometimes has difficulty separating truth from fiction. When he dreams that his gangster neighbor ... See full summary »
With the arrival of talking pictures, a silent film comedian (a Fatty Arbuckle-type) throws a lavish party to try and save his failing career. His plan is to release one last, great silent ... See full summary »
Yanni (Renato Romano) returns to his homeland on a Greek island after several years in London. Soon he is searching for his teenage passion, Elena (Raquel Welch). She is a married woman now... See full summary »
George P. Cosmatos
Four unrelated short comedies by four different directors. "Queen Sabina" chronicles the sexual misadventures of a teenage girl on the road home. "Queen Armenia" centers on a self-serving ... See full summary »
Scenes of the Los Angeles, California go-go club, where Michele (Raquel Welch) works, were shot at The Losers, a La Cienga Boulevard strip club where sexploitation filmmaker Russ Meyer recruited such stars as Tura Satana, Haji, and Erica Gavin. See more »
Alan Morris guns down his estranged wife in cold-blood, and blames her friends namely Vegas showgirl Michele for turning his wife against him. She was there when it happened and he goes after her. This leads her to flee Vegas and make her way to Los Angeles, but Alan tracks her down. Late 60s flabby psychedelic psycho stalker on-the-run thriller that's thick on melodramatics but lacks tension despite moments of searing cat- and-mouse action and neon noir shades. However it remains hypnotic due to the wonderful presence of Raquel Welch and vivid Las Vegas and Los Angeles backdrops beautifully projected by agile camera-work. Sometimes the locations are much more of a character on screen then its leaden stars. Even though it's seedy in context and the nightlife shows, it's probably a touch too polished in presenting it, but its acts of violence have a touch of brutality. Pacing is somewhat a problem, as it seems to get lost in the neon lights, glitter and dance numbers. But the romance angle simply lulls between Welch and Stacy's characters and the script awkwardly goes about it. This just makes the film drag, until it reaches the fiery conclusion (now I know what the title means) between Welch and the steely Luke Askew. It's hearty in execution and well-made by director James Neilson, but generically crafted and less than exciting.
"What's a girl gotta do to get a job around here"?
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