Story of a young woman, Mrs. McBain, who moves from New Orleans to frontier Utah, on the very edge of the American West. She arrives to find her new husband and family slaughtered, but by whom? The prime suspect, coffee-lover Cheyenne, befriends her and offers to go after the real killer, assassin gang leader Frank, in her honor. He is accompanied by Harmonica, a man already on a quest to get even.Written by
DrGoodBeat / edited by statmanjeff
Frank goes to Morton's train and finds that dead bodies are scattered around. But the train's fireman appears not to be bothered. The engine's safety valve opens frequently, which means that the fireman dutifully keeps doing his job and keeps the boiler at maximum pressure. (The fireman and the driver never appear in the movie, but they must be there.) See more »
Cattle Corner Station Agent:
Hey. Hey-hey-hey-hey, if you want any tickets, you'll have to go around, eh, to, eh, the front of, eh, eh... oooh, well, I s'pose it'll be all right. The hell am *I* doin' around here if they walk in and can do as they damn please?
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The film's title does not appear until the end of the final scene. See more »
The Italian DVD contains an extended version of the movie with the running time 171 minutes. (The standard version used in other countries running time are between 155 to 165 mins.) The principal differences are the opening sequence, which is much longer, - Jack Elem game with the fly - and the closing sequence, as well (the panoramic shoot is complete before the title appears). Another missing scene, which has disappeared from all the European edits, is in it: after the station scene, Harmonica take his arm because he has a terrible pain in it, and return on his horse. See more »
I have recently commented on Leone's GBU and was intending on reviewing AFOD and FAFDM as well as this one - OUATITW, but after reading a number of the comments about these from all the avid fans on this great site, I will simply give you a short account of how these films have affected my life. I am 55years young and saw all these films on their first release in Sydney.(late '60's) They were cut, but it didn't stop me seeing the brilliance in them. I would imagine that a lot of the members of this site are much younger than myself and have only watched these films on DVD or TV quite recently. (Stood the test of time, eh!!) (WideScreen is a must for these.) Leone's films exhibit an idealism in art that surpassed his Hollywood models (eg: Ford). Although, at the time of creation, I doubt he would have thought he was. He simply had a vision.
From film to film he improved on this. Like most artists, I don't think he was too concerned with the financial gains that might or might not be realized.(This was probably his downfall). That these little films can impress all you younger fans so much says a lot about good taste and the sad lack of it in American films of recent times.
Great directors, like Leone, don't come along every day and it saddens me greatly to know he died before he was recognised for the genius he surely was. Morricone must be 75 now, soon we will loose him too. I am a successful composer in Australia and can tell you, without bias, that Morricone is in the top five best ever film composers just from these four films alone, if not one of the best composers in general (yes, this includes Stravinsky, Bartok, Debussy and Schoenberg.) of the 20th century. Eastwood is also reaching the end of his life and although I'm not a huge fan of his recent work, he is one of the last living greats. Without the inspirations put forth by these men, I might not still be writing and recording my music these days. Plenty of times I could have stopped when things got tough but all I had to do was revisit these gems of modern art to realise that greatness does still exhist , all you have to have is the love and desire and guts to make your visions a reality. Leone, Morricone and Eastwood: I salute you.
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