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Hour of the Wolf (1968)

Vargtimmen (original title)
Not Rated | | Drama, Horror | 9 April 1968 (USA)
While vacationing on a remote Scandanavian island with his younger pregnant wife, an artist has an emotional breakdown while confronting his repressed desires.

Director:

Ingmar Bergman

Writer:

Ingmar Bergman
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Cast

Complete credited cast:
Max von Sydow ... Johan Borg
Liv Ullmann ... Alma Borg
Gertrud Fridh ... Corinne von Merkens
Georg Rydeberg ... Lindhorst
Erland Josephson ... Baron von Merkens
Naima Wifstrand ... Old Lady with Hat
Ulf Johansson ... Heerbrand
Gudrun Brost ... Gamla Fru von Merkens
Bertil Anderberg ... Ernst von Merkens
Ingrid Thulin ... Veronica Vogler
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Storyline

An artist in crisis is haunted by nightmares from the past in Ingmar Bergman's only horror film, which takes place on a windy island. During "the hour of the wolf" - between midnight and dawn - he tells his wife about his most painful memories. Written by Fredrik Klasson <fredrik.klasson@boras.mail.telia.com>

Plot Summary | Add Synopsis

Taglines:

"The Hour of the Wolf" is the hour between night and dawn. It is the hour when most people die. It is the hour when the sleepless are haunted by their deepest fear, when ghosts and demons are most powerful.

Genres:

Drama | Horror

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Sweden

Language:

Swedish | Norwegian

Release Date:

9 April 1968 (USA) See more »

Also Known As:

Hour of the Wolf See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (original)

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

This film is included in the "Ingmar Bergman's Cinema" set, which is part of the Criterion Collection. See more »

Quotes

Gamla Fru von Merkens: Look at my feet, dear artist. Have you ever seen younger and firmer arches? Take a good look. Look at the heel. So nice and smooth. Such strong toes and such pretty nails. Kiss my foot. That's the way.
See more »

Alternate Versions

There exists an earlier version of the film with an additional, meta-cinematic framing device. In the prologue (lasting about 7 minutes), Bergman is seen on the set directing his actors. The epilogue (lasting about 1 minute) shows us the set being torn down and the crew leaving. These sequences are the only differences to the commonly seen version. Bergman has stated in an interview that he cut off these sequences himself before the general release of the film, as he came to the conclusion that they were just "self-deception". Despite this, a Swedish 35 mm print of the original, longer version does exist, although it's not available on home video in any format. See more »

Connections

Referenced in Multiple Maniacs (1970) See more »

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User Reviews

A dissenting view.
23 June 2004 | by MCMoriczSee all my reviews

I can't agree with most of the comments above, and particularly find myself taking the completely opposing view to Adrian Ekdahl. While HOUR OF THE WOLF seems eminently worth viewing (what Bergman film isn't?), I think it's substantially less compelling and essential than SHAME, made the same year with the same two principal players.

It took me a long time to see VARGTIMMEN, and I've finally seen it tonight on the big screen. But while I feel it's an essential enough part of the overall Bergman canon, I'd have to place it squarely in the b-list as far as its coherence and overall effectiveness.

While it contains an unusual level of creepiness by Bergman standards (and a complete journey into surrealism, brief as it is, in the final reel that seems very un-Bergmanesque -- he loves his symbolic images, but rarely has he gone this ambiguously surreal route), the truth seems to be that many many directors have achieved more with this kind of film than this film does. Bergman seems a bit out of his element here. Because most of his films utilize his trademark techniques in the service of a subtle, finely-observed, provocative examination of some difficult aspect of human existence, VARGTIMMEN seems to lose its coherence quite a bit in pursuit of something which is admittedly unusual for Bergman.

Ultimately it seems to examine three themes: 1) Can we, if haunted by things that become inarticulable, go mad from them? 2) Can we, if we love or are attuned enough to those we love, share their demons with them? 3) Schizophrenia. (This appears to me to be what Johan Borg seems to be suffering from).

These are interesting themes, to be sure. But Bergman doesn't seem to really go very deeply into them. Instead, he's kind of skimming the surface (uncharacteristic for him) while enjoying (if that can be the right word) the ambiguity of our knowledge of what's going on. Strangely, while I rarely find Bergman emptily pretentious or needlessly arty (which he is obviously occasionally accused of), this film brought me as close to feeling that way as anything I've ever seen of his. Perhaps it's because he wasn't truly at home in these themes of supernatural/horror, etc. This film actually seems DERIVATIVE of better films, like a Franju's EYES WITHOUT A FACE or even DEAD OF NIGHT. Rarely does Bergman suffer in comparison with other filmmakers who came before him. SHAME (again, made that same year, virtually right after this film), is by contrast a deeply troubling, finely wrought examination of far more (to me) compelling, complex, essential and provocative human issues. I would return again and again to SHAME, but I feel no real need to see HOUR OF THE WOLF again.

It belongs in the canon, yes, and should be seen. But while it is a bit unusual visually, I think it winds up seeming rather minor thematically in the overall pantheon of his work.


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