Violetta meets Alfredo and quickly falls for him. After the lovers run away together, they live in bliss for a short time. However, Alfredo's father, Giorgio, starts to interfere, concerned... See full summary »
Based on Shakespeare's play, Verdi's opera depicts the devastating effects of jealousy, "...the green-eyed monster which doth mock the meat it feeds upon". Believing Otello has promoted the... See full summary »
Jane Eyre is an orphan cast out as a young girl by her aunt, Mrs. Reed, and sent to be raised in a harsh charity school for girls. There she learns to become a teacher and eventually seeks ... See full summary »
In Shakespeare's classic play, the Montagues and Capulets, two families of Renaissance Italy, have hated each other for years, but the son of one family and the daughter of the other fall desperately in love and secretly marry.
Against the backdrop of a venomous feud between the powerful clans of the Montagues and the Capulets in the medieval city of Verona, William Shakespeare's eternal story of teenage love unfolds. As youth's insolence arms the charming young Montague, Romeo, with dauntless courage to come uninvited to the Capulets' scintillating masked ball, a brief but thrilling encounter with the delicate dark-haired Capulet, Juliet, will pave the way for an ardent passion and a cruel romantic tragedy. Before God, the star-crossed lovers have sworn never-ending devotion despite their perilous plight; however, before the grim machinations of fate, man stands powerless. Are Romeo and Juliet destined to be together?Written by
A rumor surrounding this movie was that Olivia Hussey was really Franco Zeffirelli's daughter. Not true, of course. Zeffirelli initially turned Hussey down for the role of Juliet, thinking her overweight. The actress he did choose cut her hair just before filming, ruining the effect she had on Zeffirelli. Hussey came in for another reading but by this time had developed into a beautiful teenager. She got the part. See more »
When Romeo and Benvolio arrive at the Capulet's ball, Benvolios's love interest is seen standing in one place. In the next shot she's seen walking around and in the next shot she is seen standing in the same place she was before she began walking around. See more »
Two households, both alike in dignity In fair Verona where we lay our scene. From ancient grudge break to new mutiny Where civil blood makes civil hands unclean From forth the fatal loins of these two foes A pair of star-crossed lovers take their life Whose misadventured piteous overthrows do with their deaths bury their parents' strife.
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In the film's original release, and on DVD, the "End Titles" music continues playing on a black screen after the closing credits have ended, much as "Exit Music" used to do in roadshow releases of films. As currently (2009) shown on cable TV, however, there is an edit on the soundtrack (not on the picture) during the closing credits, so that the music ends exactly at the same time that the visual portion of the film does. See more »
Easily the best Shakespeare film in history, mainly because it stays so true to what Shakespeare wrote and was undoubtedly his vision, yet is undeniably fresh and relevant and affecting, despite its Renaissance setting. It feels more modern and current than the soulless bluster of Baz Luhrmann's effort. Whosoever says Whiting and Hussey are anything short of fantastic as Romeo and Juliet needs to reconsider how they want Shakespeare acted. Do you want dramatic bluster and fist waving (which Hamlet specifically cautions against) or true raw emotion and feeling? These actors, mostly because they were so inexperienced, couldn't be more natural and true to their characters every step of the way. You truly believe that they are in love and it's a legitimate love, no just "crazy teens." And the rest of the cast - Jesus H. Christ! They're all fantastic. The Friar and Nurse were obscenely perfect, becoming among the most endearing characters ever filmed, and of course John McEnery is the best, most pathos-laden Mercutio ever, all stage, screen, TV, etc. renditions included. Michael York is a fabulous Tybalt, menacing, arrogant, headstrong, cruel, but ultimately sympathetic. Tybalt is after all just a petulant child - he's no evil tyrant, just a misguided bully, who certainly doesn't deserve to die. I love that his killing of Mercutio is accidental and that he seems to show remorse for it. Even the Prince is really damn good, with his last lines leaving an absolutely chilling impression on the audience. All are punish-ed! A must see.
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