Three monks runner; bus stop malapropisms; We Can't Top This; Ann Miller news; Fickle Finger visits the Wichita Rifle Company. Tony Curtis, James Garner, Ann Miller, Smothers Brothers, Forrest Tucker...
An anthology comedy series featuring a line up of different celebrity guest stars appearing in anywhere from one, two, three, and four short stories or vignettes within an hour about versions of love and romance.
One of the many variety shows available in the 1970s (along with Sonny and Cher, Captain and Tennille, Donny and Marie, etc). Hosted by African American comic actor Flip Wilson, this show ... See full summary »
The show is about doctors Marcus Welby, a general practitioner and Steven Kiley, Welby's young assistant. The two try to treat people as individuals in an age of specialized medicine and ... See full summary »
This show popularized a rapid style of vignette comedy show where comedy sketches, punch-lines and gags are edited together in a rapid and almost random format. Regular trademark elements included the joke wall, the dancing women painted with one-liners and the fickle finger of fate award. This series inspired such shows as Monty Python's Flying Circus (1969) and Sesame Street (1969).Written by
Kenneth Chisholm <firstname.lastname@example.org>
Dan Rowan was clean shaven during the initial airings in early 1968. By the first full season, he'd grown a mustache. A few years later, he was sporting a beard, but eventually shaved it off, keeping the mustache until the end of the series. See more »
In the Pilot Special, the ending credits show the cast playing with huge beach balls. See more »
Many of the original one-hour shows were re-edited into two half-hour programs in the early 1980s for syndication. Often, bloopers and outtakes were used to fill out a segment, especially during the joke wall sequence which occurred at the end of each show during the closing credits. New graphics were generated for credits on re-edited endings and run in the same sequence as the originals, but were in a different font. In a few instances, there was some overdubbing, specifically where Judy Carne's "NBC, beautiful downtown Burbank" was overdubbed with, "'ello, 'ello, beautiful downtown Burbank" when she played a switchboard operator on some of the earlier shows. See more »
The first three seasons of this show encapsulated the sheer energy of social and sexual revolution of the late 1960's.On the surface it was patchy,often very funny,satirical and not afraid to poke fun at the US involvement in the Vietnam war and the Nixon administration.It launched the careers of many of todays Film and Tv stars and inspired many a generation with it's trademark "Sock it to me", "Fickle Finger of Fate" and those epilepsy-instigating Party Sequences each episode. True, as with all shows of their time, a lot of the references and humour may have dated badly, but for a Pre-PC generation, it was naughty and not what your parents would want you to watch.Perfect. Many contemporary reviewers dismiss the show as vulgar and irrelevant, but for people who actually watched it at the time, it was breaking the formula of the TV variety show.It was the epitome of groovy and psychadelia for Network TV-very fast, energetic, colorful and loud which really hadn't been seen before. By 1970,most of the original cast had gone and the show started to look back on itself and died. It lasted another 3 years, but it could never recapture the excitement of the first three years.I think this holds true for society in general.Maybe today's politically correct generation really cannot appreciate the enjoyment gained by watching Laugh In for the first time.
2 of 2 people found this review helpful.
Was this review helpful to you?
| Report this