A century before Captain Kirk's five-year mission, Jonathan Archer captains the United Earth ship Enterprise during the early years of Starfleet, leading up to the Earth-Romulan War and the formation of the Federation.
On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
The Borg travel back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
A 1960's sci-fi action adventure series set in the 23rd century based around the crew of the USS Enterprise, representing the United Federation of Planets (including earth) on a five-year mission in outer space to explore new worlds, seek new life and new civilizations, and to boldly go where no one has gone before. The Enterprise is commanded by handsome and brash Captain James Tiberius "Jim" Kirk. Kirk's two best friends are Commander Spock (last name unpronounceable to humans) the ship's half-human/half-Vulcan Science Officer and First/Executive Officer (i.e. second-in-command) from the planet Vulcan, and Chief Medical Officer, Dr. Leonard H. "Bones" McCoy. They along with a crew of approximately 430, including helmsman Lieutenant Hikaru Kato Sulu, navigator Ensign Pavel Andreievich Chekov, communications Officer Lieutenant Nyota Uhura, and chief engineer Lieutenant Commander Christopher Jorgensen "Scotty" Scott -- confront strange alien races, friendly and hostile alike, as they ...Written by
Marty McKee <email@example.com>
The broadcast rights to "Star Trek" in the UK were originally held by the BBC and that network banned the episodes Star Trek: The Empath (1968), Star Trek: Whom Gods Destroy (1969), Star Trek: Plato's Stepchildren (1968), and Star Trek: Miri (1966) for many years. "Miri" was shown once in 1970 before being proscribed and "The Empath" was scheduled that year, but not aired. The BBC considered "Star Trek" to be a children's show and stated that the episodes "all dealt most unpleasantly with the already unpleasant subjects of madness, torture, sadism and disease." British fans cried foul, and hypocrisy as well, noting that the BBC's Doctor Who (1963), aired in the same time slot, had scenes more gruesome than anything in "Star Trek" and that the BBC also purveyed I, Claudius (1976), which featured torture, murder, and even cannibalism. The banned episodes were screened at conventions, released on video, and finally aired by the BBC in the 1990s. See more »
Throughout the series, stars sweep past the Enterprise as the ship hurtles through space. While a visually pleasing way to show the ship is in motion, the speeds involved (especially "warp 1," or light speed) would not result in any such effect for the reason that stars, being so far apart, would necessarily be too far from the Enterprise to show any relative movement. In fact, they would appear to be as still as they look to Earth-bound stargazers. See more »
You'd make a splendid computer, Mr Spock. Spock
That is very kind of you, Captain!
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In the latter part of the first season, the credit, in all-uppercase, for "SCRIPT SUPERVISOR", has the first word misspelled "SCPIPT". See more »
In Germany some episodes were cut or rearranged during the dubbing process (for example in the episode "Amok Time" the dialogue was changed to Spock having a disease). The episode "Patterns of Force" has never been shown on TV due to the Nazi-thematic. It was only released in the late 90s on VHS. See more »
The magic was in the interaction between the characters.
I have loved Star Trek since I first watched it as a child. However, the series which followed - Star Trek: TNG, Star Trek: Voyager, Star Trek: Deep Space Nine, and Star Trek: Enterprise - although generally still entertaining, seem to me to have left out the element which made the original series so special. Namely, the interaction between the characters, particularly Spock, Jim, and Bones.
So well written, and generally well acted.
With Bones (Dr Leonard H McCoy) being the opposite to Spock in terms of personality, so that the two of them always found something to argue about. Jim (Captain James T Kirk) in the middle, as a referee, displaying faults and strengths taken from both extremes. Extremes in the sense of McCoy being a very caring, compassionate, yet also highly emotional character. Representative of humanity, perhaps. Spock, the dry, cold, logical, emotionless Vulcan. Jim "a man of deep feelings", as Spock once said, yet also no stranger to thorough analysis of whatever situation the crew found themselves in. Bones seeking always to heal, to return everybody he met (whether friend or foe, human or otherwise) to as close to perfect health as possible. Frustrated by the fact that he (Bones) could not fully understand, for example, Spock's Vulcan anatomy. All three of them the closest friends. All three displaying unwavering loyalty toward each other - even though Spock would have found the suggestion of his displaying such a human quality to be insulting.
The dynamics involved, the interaction, led to brilliant moments of humour. A science fiction programme to be not only enjoyed for the imaginative stories and the themes, but also for the humour, for the humanity.
Which is not to suggest that the other characters were in any way second rate. Scotty's loyalty and his supreme confidence in his engineering abilities, Chekov's almost adolescent playfulness and humour, Sulu's loyalty, honour, and physical prowess, Uhura's dedication to duty and femininity in a masculine world, all added important and welcome elements to what I still consider to be the best science fiction television series ever.
The special effects were often laughable, the sets cheap and often reused, but the humanity, the character interaction, the stories, imagination, the brilliant writing... all added up to something very special indeed.
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