A century before Captain Kirk's five-year mission, Jonathan Archer captains the United Earth ship Enterprise during the early years of Starfleet, leading up to the Earth-Romulan War and the formation of the Federation.
On the eve of retirement, Kirk and McCoy are charged with assassinating the Klingon High Chancellor and imprisoned. The Enterprise crew must help them escape to thwart a conspiracy aimed at sabotaging the last best hope for peace.
The Borg travel back in time intent on preventing Earth's first contact with an alien species. Captain Picard and his crew pursue them to ensure that Zefram Cochrane makes his maiden flight reaching warp speed.
A 1960's sci-fi action adventure series set in the 23rd century based around the crew of the USS Enterprise, representing the United Federation of Planets (including earth) on a five-year mission in outer space to explore new worlds, seek new life and new civilizations, and to boldly go where no one has gone before. The Enterprise is commanded by handsome and brash Captain James Tiberius "Jim" Kirk. Kirk's two best friends are Commander Spock (last name unpronounceable to humans) the ship's half-human/half-Vulcan Science Officer and First/Executive Officer (i.e. second-in-command) from the planet Vulcan, and Chief Medical Officer, Dr. Leonard H. "Bones" McCoy. They along with a crew of approximately 430, including helmsman Lieutenant Hikaru Kato Sulu, navigator Ensign Pavel Andreievich Chekov, communications Officer Lieutenant Nyota Uhura, and chief engineer Lieutenant Commander Christopher Jorgensen "Scotty" Scott -- confront strange alien races, friendly and hostile alike, as they ...Written by
Marty McKee <email@example.com>
The outwardly adversarial, but personally respectful, relationship between the country doctor McCoy and the Captain's logical intelligent sidekick Spock, was similar to the Gunsmoke (1955) relationship between the logical intelligent Doctor Adams and the Marshall's country sidekick Festus. See more »
There are numerous instances where the flimsy nature of the set can be seen when an actor/actress bumps into a wall and the wall bends with him/her. See more »
All right, you mutinous, disloyal, computerized half-breed. We'll see about you deserting my ship.
The term "half-breed" is somewhat applicable, but "computerized" is inaccurate. A machine can be computerized, not a man.
What makes you think you're a man? You're an overgrown jackrabbit. An elf with a hyperactive thyroid.
Jim, I don't understand...
Of course you don't understand. You don't have the brains to understand. All you have is printed circuits.
Captain, if you will excuse me.
[...] See more »
On some episodes, the closing credits show a still that is actually from the Star Trek blooper reel. It is a close-up of the actor who played the android body in "Return to Tomorrow, removing his latex make up. In the reel, He is shown taking it off, while an off-screen voice says "You wanted show business, you got it!" See more »
From mid-1998 to early 1999, the Sci-Fi Channel aired Star Trek in a 90 minute weeknight slot as a special edition, airing every episode produced in their original order, complete with footage that hadn't been seen since NBC originally aired the show. It also contained commentary on each episode by members of the cast and crew. The first run through the Special Edition was hosted by William Shatner. Leonard Nimoy took over as host for the second run, but the Special Edition was taken off the air in the middle of this run. See more »
Does anyone need an introduction anymore to this great series? In the beginning Desilu said yes to the budget and schedule of Roddenberry only because there were many space stories being pitched and picked up in the mid-sixties, and this was going to be theirs. NBC used Star Trek to compete with Lost in Space, which was already on CBS the year before.
NBC being the all color network made the series very high key in lighting and primary-colored in the uniforms and the instrument displays, to better sell color TV at the time.
There were so many innovations shown on the screen from Dr.McCoy's diagnostic helpers to the auto door movements to hand communicators, transporters, phased light weapons, all of which impressed viewers. Added to that, they all seemed like they really worked!
People have said that Star Trek was the first to show an alien working harmoniously on a space crew and this is not fully true. You might laugh now, but in 1950 there was a very popular, well written, well acted radio and TV series called "Tom Corbett, Space Cadet" that had that very element working for it. Nothing much was very ground breaking on that show except that the acting was a cut above other shows. Roddenberry did go a few steps farther with Star Trek, adding a multi-racial crew and women having real authority as crew members or aliens.
Prior to Star Trek, the "alien" or "other" was a concept meant to inspire fear and justify violence. However it seemed that the series delighted in reversing this. Repeatedly the aliens are shown to be less dangerous than thought: the Talosians want the best for Capt. Pike, Balok isn't so bad, the Salt Creature is meant to be pitied, and so on. However if the villain was inanimate or a Frankenstein composed of man's ignorance, say NOMAD or the Planet Killer, then all violence the Federation can muster could be justified.
For my money Roddenberry, who appeared to be a casting couch throwback producer from an "Ed Wood" era, accomplished nothing so amazingly wonderful prior to Star Trek, and certainly nothing afterward that ever surpassed this singular achievement. He fought to keep Mr. Spock in the show and oversaw all the writing for a stable consistency,(I'm not a Harlan Ellison fan), so from this perspective, you could say he was born to create Star Trek then step off the stage. His whole life after Trek seemed warped by the show's gravity, and often he was pulled back into it for the 1987 follow on series and the first round of feature films.
Some audience members may prefer TNG, or the feature films. They may look back at the 1966 debut of Star Trek as merely "the future looked a lot like the Sixties". But why is it that the pure human emotions in those 79 episodes still attracts new converts? There must be something there that's communicating beyond the show's original five year mission. Star Trek still works as an adventure; one that considers human drama primary. That is unusual for any science fiction based story, wouldn't you say?
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