After killing a child when his plane crashes in a Vietnamese village, Pierre suffers from delayed stress and partial amnesia. Returning to France, he lives like a vegetable until he meets a... See full summary »
In the year that Cannes Film Festival handed out awards to Federico Fellini for La Dolce Vita, L'avventura by Michelangelo Antonioni, and Kagi by Kon Ichikawa -- 'Le Sourire' won the Palm ... See full summary »
An American, Frank, threatens to kidnap his partner's son because he has double crossed him. Unfortunately the boy is accidentally killed during the confrontation and Frank has to run away. His partner, wild with rage, promises a reward of 50,000 dollars for his capture dead or alive. Scott, a crop dusting pilot has crushed into a water tank and having no adequate insurance, he is unable to repay the 12,000 pesos for the repairs. But he remembers seeing the fugitive while flying and manages to persuade Captain Carbajal to go off in pursuit of the wanted man. A group forms, composed of Carbajal, his deputy Lopez, a driver, , Luis and the Indian Joaquin. They set out across the desert, in the hope of laying hands on Frank... and Sylvia, his girlfriend, who has joined him in the meantime.Written by
THE SARGENTO with a guitar slung across his back and a .45 in his hand...THE FUGITIVE who was the $50,000 jackpot...THE GIRL who knew she was wanted as the prize by each of these men...THE CAPTAIN who yearned for the touch of a woman...THE PILOT who knew everybody hits bottom sooner or later...THE DESERT, the real enemy of all who sought THE REWARD!
Swenson, you bastard! Meet the man who just hit the jackpot. Me, the $50,000 jackpot!
You are lucky these men don't speak English.
I suppose you're getting your cut, too?
Mr. Bryant, if these men knew about the reward, they might decide a severed head gives less trouble than a live captain. Mount your horses please. Vamanos.
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I have seen two different versions of this "Mexican" film on the Fox Movie Channel (or its on demand version). The first time was the 1.33 version with no subtitles. While it's true that most of the Norte Americano characters (which in this case includes Von Sydow whose accent is very slight--he was reputed to have intentionally learned a mid-Atlantic version of English) have a limited or non-existent command of Spanish, you can't really understand what is going on without subtitles. The novel on which it is based notes that the Americans do not always understand what is going on but the dialog is in "English" anyway. A kind of stilted way of talking which suggests a translation. Also the Mexicans are really Indians except for the police chief who has been exiled from the big city and wants to get back. Even he might not understand what the Indians are saying among themselves. The second time I saw this film (on Fox Film channel, May 2016) it now had English subs and was letterboxed at 1.85 (though the opening title sequence clearly shows that this was a full Cinemascope frame originally!). I'd like to see this in HD (we don't get that for the Fox movie channel here) and a proper Cinemascope ratio. (TCM please) I would also recommend Michael Barrett's novel for richer detail which is hinted at in the film.
Another reviewer compared this film to "Treasure of the Sierra Madre". You could say that it falls into a certain subgenre which I call "a Mexican" like the Wild Bunch and other westerns or several film noirs that take place mostly in Mexico or a goodly number of other films and books which highlight our neighbor south as a place of danger, corruption, illicit behavior, serious crime, poverty, untold wealth, a place of refuge for those fleeing the law, etc. Mexico itself has had a first-class film industry which has had its ups and downs. Mexican noirs of the 40s and 50s are every bit as good as the Hollywood versions and laden with less censorship to boot!
I agree with another reviewer that there may have been more footage that didn't make it into the final cut which would have made elements of the story clearer. Certainly the ending is very abrupt. In any case this is a film that should be given the restoration treatment. Were it to happen it would probably have a much greater reputation. Perhaps the person who was in charge of production at the studio during the film who contributed some information in another review could tell us more about the process that led to its release. Maybe Von Sydow remembers something as well.
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