A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy.
In the near future, leftist writer Paula goes from Paris to the French town of Atlantic-Cité when she learns of the death of a former colleague and lover, Richard P. Is she there to ... See full summary »
Lemmy Caution, an American private-eye, arrives in Alphaville, a futuristic city on another planet. His very American character is at odds with the city's ruler, an evil scientist named Von Braun, who has outlawed love and self-expression.Written by
Gene Volovich <email@example.com>
Jean-Pierre Léaud: makes an uncredited cameo as the hotel clerk who brings breakfast to Lemmy and Natasha at around 68 minutes through the film. See more »
When Lemmy shoots the man in his hotel room, smears on the mirrors from the blank cartridges' charges are plainly visible, instead of a bullet holes or broken glass. See more »
Sooner or later, the Outlands will declare war on us. Therefore, we decided to invade them.
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In the original version, the beginning credits flash one line at a time, each one scanning across the screen just below the last. See more »
In the original French version, the voice of the computer Alpha 60 sounds harsh and throaty as if produced by belching. One English-dubbed version gives the computer a more typical computer-like voice. See more »
Alphaville is an attack on the syndrome of Science Fiction films full of flash and color but devoid of ideas. They intentionally took an "Our Town" attitude toward special effects -- e.g. driving along in a car, with dialog indicating that they're in a spaceship; commenting on how beautiful the stars look when you can't see anything but the glare of streetlights, and so on. If there's a problem with this movie, it's that the ideas themselves are perhaps not really all that strong; the notion of a dystopian city ruled by an all powerful computer just doesn't seem that heavy, not even taken as some sort of symbolic allegory; but on the whole I think SF cinema would be in much better shape if it had learned the lesson of Alphaville (think "La Jette"). Minimalism is not a crime, which is why I find it very annoying that I need to babble for another couple of lines to convince IMDb.com that I've said enough to be worth logging as a movie review.
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