In the midst of trying to legitimize his business dealings in New York City and Italy in 1979, aging Mafia Don Michael Corleone seeks to avow for his sins, while taking his nephew Vincent Mancini under his wing.
An anonymous, but deadly man rides into a town torn by war between two factions, the Baxters and the Rojo's. Instead of fleeing or dying, as most other would do, the man schemes to play the two sides off each other, getting rich in the bargain.Written by
Andrew Hyatt <firstname.lastname@example.org>
Clint Eastwood's "Joe" character's gun is an 1873 Colt Single Action Army revolver with a 5 & 1/2" barrel and raised silver coiled rattlesnakes on the grips, in either .44 or .45 caliber. Eastwood' s "Joe" carries the same gun in the sequel film "For a Few Dollars More." See more »
When Chico is left alone to guard the Rojos' compound while the Rojos are fighting the Baxters, Chico is shown riding on horseback among the Rojos gang when they are riding back to the compound. See more »
I don't think it's nice, you laughin'. You see, my mule don't like people laughing. He gets the crazy idea you're laughin' at him. Now if you apologize, like I know you're going to, I might convince him that you really didn't mean it.
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When the film first aired on American TV (ABC) in August 1977, a network executive ordered the creation of a new prologue (directed by Monte Hellman) to give a moral justification for the lead character's killings: a prison warden (Harry Dean Stanton) commutes "The Man With No Name's" sentence if he goes to San Miguel and restores order to the town. Neither Eastwood or Leone participated in this new sequence ("The Man With No Name" is seen only from the rear), and this distortion of Leone's creative vision has reportedly been dropped from subsequent presentations. This prologue can be found on the Special Edition DVD and later Blu-Ray release along with an interview with Harry Dean Stanton about its making and sourcing from a Betamax copy of the ABC American TV broadcast. See more »
Clint Eastwood was best known to American audiences for his role as Rowdy Yates in the series Rawhide. The series had ended and he was offered this strange new and challenging role in this movie of the American West that was made in Italy! Eastwood said his wife read that script and liked it. She said it was really "wild" because it was written in Western "slang" by Italians who really didn't understand English. He did this picture almost as a lark, and then read that it had become one of the biggest hits in Europe and then when it was released in America it outgrossed even the most popular current American films and made Clint Eastwood both a star and a phenomenon. Its strange to me that the best films ever made about the American west should have been made by Sergio Leone, an Italian who couldn't even speak English. Clint Eastwood said that all he knew in Italian was "arrevadershi" and all Leone knew in English was "goodbye" and yet these two combined to make an awesome film. As the poncho clad "Man With No Name", Eastwood created a role that hit us like a punch in the face and really re-defined the definition of the true Western hero. Eastwood tore out pages and pages of the dialogue and reduced his character to the bare bones to make him more mysterious. Leone said that he clad Eastwood in that sweat stained serepe to give him a cloak of mystery and put the cheroot in his mouth as a pendant between his two cold eyes and it worked like a charm. He broke all the rules and re-defined screen violence. I read that Leone wanted to make a blood and guts Western and show to the audience "I want them to feel what the hell it is like to get shot" and he does it! The scene where Clint is beaten to a pulp is one of the most graphic that you will ever see. It would have killed most other men!
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