A film musical in which every line is sung. The frame is about workers during a strike. They also prepare and perform a demonstration. Two personal relations develop against this background... See full summary »
A small-time thief steals a car and impulsively murders a motorcycle policeman. Wanted by the authorities, he reunites with a hip American journalism student and attempts to persuade her to run away with him to Italy.
The lives of Geneviève Emery and Guy Foucher of Cherbourg, France are presented in 4 acts, in director Jacques Demy's fable of young love. The entire film is sung (It takes only a moment to get used to). This is really one of THE most gorgeous, unique films - the softly-hued pastels and vibrant solid (Eastman Colror) colours are used to help conversation, emotions and dramatise the story. Every time I've seen it with an audience, by the end, they're all sniffling, as tear falls. I'm willing to bet so will you. Watch this with someone special.Written by
In the beginning, a black car rolls into the garage where Guy works, and Guy is asked to assist with the car's problems. This car is actually Roland Cassard's and it can be seen two more times: when Roland visits the umbrella shop to give Ms. Emery the money for her pearl necklace, and again as the wedding car. The license plate is the same and can be seen in this latter scene and in the very first. See more »
In the final scene, Genevieve drives off without paying for the tank of gasoline. See more »
I got drafted this morning, and I'll be away for two years. We'll talk about marriage later. With the war in Algeria, it will be a long time before I can come back.
But I would never be able to live without you!
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An offbeat but beautifully stylised and colourful piece of cinema
This must be amongst the most distinctive, idiosyncratic and exquisite films I have seen in a long while. There is nothing particularly new about the plot, which is a straightforward and uncomplicated love story divided into three acts, but the beauty of this film is in the telling of it.
All the dialogue in this film is sung, which at first is a little unsettling, but it actually takes very little time to adjust to. The verse/chorus format of popular music and the musical genre is eschewed for an approach more resembling a modern opera, as the characters croon their lines to each other over a continuous score. This gives the most banal of lines a rhythm and cadence of their own. Because of this I found the French a lot easier to understand than with more naturalistic films, which was fairly handy for me as the print I was watching was with Dutch subtitles! I must confess, I did find that the music (written by Michel Legrand) began to grate towards the end of the 87 minute running time but even so there is still much to admire here. Visually it's stunning, with a bold and vibrant colour palette of almost hallucinogenic intensity and sumptuous costume and set design (that wallpaper!). The opening credit sequence sets the mood perfectly: a birds eye view of the inhabitants of Cherbourg in the rain beneath their umbrellas as they walk across the frame is reduced to a colourful abstraction. Catherine Deneuve is predictably gorgeous and the first act of the young couples courtship is one of the most beautifully pure pieces of cinema I can think of. It reminded me a bit of 'Jacques Brel is Alive and Well and Living in Paris', a film which I saw in television a long time ago and would do absolutely anything to get hold of a copy. 'Les Parapluies de Cherbourg' is a wonderful, sincere and uplifting film that everyone should go and see at least once, and preferably on a big screen. Once seen, never forgotten.
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