Dorothy Gale is swept away from a farm in Kansas to a magical land of Oz in a tornado and embarks on a quest with her new friends to see the Wizard who can help her return home to Kansas and help her friends as well.
When Jane and Michael, the children of the wealthy and uptight Banks family, are faced with the prospect of a new nanny, they are pleasantly surprised by the arrival of the magical Mary Poppins. Embarking on a series of fantastical adventures with Mary and her Cockney performer friend, Bert, the siblings try to pass on some of their nanny's sunny attitude to their preoccupied parents.Written by
The last feature in which Disney legend Ward Kimball worked as an animator. He designed and drew The Pearly Band for the "Supercalifragilisticexpialidocious" sequence, and the big, evil-eyed woman beating a tambourine against her little husband's head was typical of his humor. Walt Disney had promoted Kimball to director for his TV shows in 1954 but demoted him back to animator after the two had a falling out in 1961. With the huge success of "Mary Poppins" Disney had a change of heart and restored Kimball to a director's position, which he kept until his retirement in 1973. See more »
When Bert first walks onto Cherry Tree Lane and the camera follows him, the shadows of equipment are visible on the lamp post in the foreground. See more »
All right, ladies an' gents! Comical poem! Suitable for the occasion, extemporized and thought up before your very eyes! All right, 'ere we go!
Room 'ere for everyone. Gather around.
The constable - responstable! Now 'ow does that sound?
[dashes over to Miss Lark, sings]
'Ello, Miss Lark, I've got one for you.
[...] See more »
The opening credits stop for a brief moment to show Mary Poppins seated on a cloud and applying makeup to her face, then the camera pans away and the credits resume. See more »
In some theaters, likely British theaters, there was an intermission after Mary Poppins finished singing Stay Awake. The 2004 DVD includes a fullscreen clip of the number fading to black and an intermission card appearing. See more »
Despite the technical achievements and the outstanding musical score, it is the performances that keep the film alive for me. Julie Andrews was right on target when she received her academy award and thanked Jack Warner for turning her down in the film version of My Fair Lady. She conveys both dignity and warmth as Mary. Dick van Dyke had the chance of a lifetime to demonstrate the breadth of his talents, especially his dancing, which could not be fully exploited on his TV series. Disney gave real depth to the film through his use of Elsa Lanchester, Arthur Treacher, Reginald Owen, Ed Wynn and (especially) Jane Darwell (who is cited in the IMDb biography as best known for her cameo portrayal of the Bird Lady, despite her 1940 Academy Award for one of the great all-time performances in Grapes of Wrath). I computed the ages of the five as reaching 418 years when the film was released; their film careers covered 193 combined years, with stage careers going back as far as 1905. Disney's casting of these, as well as a group of accomplished British actors of stage and film demonstrated what should be meant by "supporting cast": it gave strong support against which Andrews and Van Dyke could perform without being under to carry the entire film. Finally: If someone wants to appreciate the care that went into the film, s/he should purchase the new 40th anniversary DVD. Viewing the interviews and other documents enabled me to increase my already great enjoyment. They do not "murder to dissect"; quite the contrary.
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