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The Fall of the Roman Empire (1964)

Approved | | Drama, History, War | 26 March 1964 (USA)
The death of Marcus Aurelius leads to a succession crisis, in which the deceased emperor's son, Commodus, demonstrates that he is unwilling to let anything undermine his claim to the Roman Empire.

Director:

Anthony Mann

Writers:

Ben Barzman (screenplay), Basilio Franchina (screenplay) | 1 more credit »
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Nominated for 1 Oscar. Another 1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Sophia Loren ... Lucilla
Stephen Boyd ... Livius
Alec Guinness ... Marcus Aurelius
James Mason ... Timonides
Christopher Plummer ... Commodus
Anthony Quayle ... Verulus
John Ireland ... Ballomar
Omar Sharif ... Sohamus
Mel Ferrer ... Cleander
Eric Porter ... Julianus
Finlay Currie ... Senator
Andrew Keir ... Polybius
Douglas Wilmer ... Niger
George Murcell ... Victorinus
Norman Wooland ... Virgilianus
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Storyline

Action-packed look at the beginnings of the fall of the Roman Empire. Here is the glory, the greed and grandeur that was Rome. Here is the story of personal lust for power, and the shattering effects of that power's loss. Here is the tale of the plight of a people living on the brink of a political abyss. Written by filmfactsman

Plot Summary | Add Synopsis

Taglines:

Spectacle! Passions! Savagery! See more »

Genres:

Drama | History | War

Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

26 March 1964 (USA) See more »

Also Known As:

La caída del imperio romano See more »

Filming Locations:

Comunidad Valenciana, Spain See more »

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Box Office

Budget:

$19,000,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (1970 re-release)

Sound Mix:

Mono (35 mm optical prints)| 70 mm 6-Track (Westrex Recording System)

Color:

Color (Technicolor)

Aspect Ratio:

2.20 : 1
See full technical specs »
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Did You Know?

Trivia

Christopher Plummer was amazed at the lavishness and no-expense-spared aspect of the production. A Rolls-Royce was at his disposal for the entire duration of the shooting. This was a far cry from Producer Samuel Bronston's previous King of Kings (1961), where Jeffrey Hunter and Robert Ryan's car broke down on the way to the "Sermon on the Mount" scene, and they had to push it to get it started, in costume as Jesus Christ and John the Baptist. See more »

Goofs

When Commodus and Livius are holding the torch during Marcus Aurelius' funeral pyre, their hands move further away from the flame between shots. See more »

Quotes

Lucilla: Gods of Rome. Your empire has died! The light of the world has gone out!
See more »

Crazy Credits

The Paramount logo did not appear on American prints. See more »

Alternate Versions

The non-roadshow version was cut to 153 minutes from the original 172 minutes running time. See more »

Connections

Version of Gladiator (2000) See more »

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User Reviews

 
High Drama
18 December 2000 | by kitticat-2See all my reviews

It's particularly interesting to compare this movie with Gladiator (2000), as both take the same historical event as a starting point. While the fight scenes are more exciting in Gladiator, and while Gladiator is probably the superior film overall, this film does have three distinct advantages.

First of all, the armies and crowds are better here - it's real people and not computer generated icons. Some of the marching scenes were a bit lengthy for my tastes, but the soldiers, the horses, the armor, the swords and spears, all of it, were very authentic and impressive. Second, as the armies look more realistic, so do the sets. We do not see the coliseum in this film, but we do see the palaces, pools, forts and throne rooms. Very exciting. Third, and perhaps most importantly, this film has superior acting. Christopher Plummer is probably the best thing here - his Commodus is at once more dastardly and more likeable than that of Gladiator; again, this means more realistic. James Mason is also in top form, here; for once, he does not play a slippery philanderer.

There is something flawed about this film that I can't quite put my finger on. It does not reach the heights of other 50s and 60s epics such as The Ten Commandments or Ben-Hur. Still, it is a dramatic and at times moving film. It does convey the gravity (some might say tragedy) of the Empire's fall and the pax romana that never was.


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