"The camera strips woman right down to her skin," proclaimed the ads,"...lays bare the secrets of her mind and body!" Using outtakes from MONDO CANE as their foundation, Directors Gualtiero... See full summary »
A schoolteacher (Miereveld or "field of ants") is entranced by one of his students (Fran). Not being able to have his love fulfilled he tries to escape it and moves house and job. Working ... See full summary »
Candide, lovelorn youth and eternal seeker from the pages of Voltaire's immortal classic novel, finds himself thrown out of an entirely comfortable castle after his affection for the ... See full summary »
This was the first movie produced in Israel. It deals with the outbreak of hostilities during the war for independence in 1947. The message of this film was the sadness and stupidity of ... See full summary »
Nominally a documentary, this film combines a number of unrelated sequences (both real and staged) -- including a South Pacific "cargo cult", the ritual slaughter of a bull, tribal dances and rituals, and a visit to an ornate pet cemetery -- all focused on the lurid, sensational, and eccentric.Written by
Michael C. Berch <email@example.com>
On March 13, 1961, following some shooting of the documentary in Las Vegas, writer-directors Paolo Cavara and Gualtiero Jacopetti and the film crew traveled to Los Angeles. One car contained Cavara, Jacopetti and Jacopetti's paramour, actress Belinda Lee (who was not in the picture), in addition to their Italian driver. Nearing San Bernardino on US 91, the speeding car lost control on a winding road and flipped after blowing a tire. Actress Lee, who was not wearing a seat belt, was thrown from the car and died at the scene of a broken neck and fractured skull. The others escaped serious injury and taken to a Barstow hospital. Jacopetti suffered a broken leg. See more »
All the scenes you are about to see are real and were shot as they were taking place. If sometimes they seem cruel, it is only because cruelty abounds on this planet. And anyway, the duty of a reporter is not to make the truth seem sweeter, but to show things as they really are.
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A version released on VHS by GoodTimes Home Video circa 1990 is cut by roughly 15 minutes. See more »
The source of all those drive-in Mondo potboilers of the sixties is still quite a hoot today.
As retro films go, Mondo Cane is still a refreshing take on schlock, documentary filmmaking, hilariously camp in it's motives and of more than passing interest in this age of reality TV. The setups and prurient approach that made these films popular at the time of their release is only re-reflected in the equally blatant, reality trash that has successfully been permeating TV since the turn of the new century. It's stunning just how the tastes of pop-culture audiences have changed in the last 50 years or so. A retrospective of the Mondo film genre is represented beautifully in a nicely-packaged DVD box set, which includes a terrifically interesting documentary on the two filmmakers, Jacopetti and Prosperi, who started the trend with this Italian potboiler back in 1962. MONDO CANE is not as dated as some would lead you to believe, particularly if you examine the motives behind it, and the method of it's humor and social commentary. Perhaps the most significant contribution MONDO CANE offers as a film chronicle, and undeniably the most artistic, is the Riz Ortolani/Nino Oliviero music score which includes one of the great melodies of the 20th Century, MORE. MONDO CANE is a "reality" movie sure to please even the most jaded multiplexer. Beautifully photographed and scored.
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