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Jules and Jim (1962)

Jules et Jim (original title)
Not Rated | | Drama, Romance | 23 January 1962 (France)
Trailer
3:10 | Trailer
Decades of a love triangle concerning two friends and an impulsive woman.

Director:

François Truffaut

Writers:

Henri-Pierre Roché (novel), François Truffaut (adaptation) | 1 more credit »
Reviews
Nominated for 2 BAFTA Film Awards. Another 3 wins & 2 nominations. See more awards »

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Cast

Complete credited cast:
Jeanne Moreau ... Catherine
Oskar Werner ... Jules (as Oscar Werner)
Henri Serre ... Jim
Vanna Urbino Vanna Urbino ... Gilberte
Serge Rezvani Serge Rezvani ... Albert (as Bassiak)
Anny Nelsen Anny Nelsen ... Lucie
Sabine Haudepin Sabine Haudepin ... Sabine, la petite
Marie Dubois ... Thérèse
Michel Subor ... Récitant / Narrator (voice)
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Storyline

In pre-WWI Paris, two friends, Jules (Austrian) and Jim (French), fall in love with the same woman, Catherine. But Catherine loves and marries Jules. When they meet again in Germany after the war, Catherine starts to love Jim - This is the story of three people in love, a love that doesn't affect their friendship, and about how their relationship evolves with the years. Written by Yepok

Plot Summary | Plot Synopsis

Taglines:

A Hymn to Life and Love

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France

Language:

French | German | English

Release Date:

23 January 1962 (France) See more »

Also Known As:

Jules and Jim See more »

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Box Office

Opening Weekend USA:

$11,206, 25 April 1999

Gross USA:

$509

Cumulative Worldwide Gross:

$446,908
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

In Jean-Luc Godard's picture A Woman Is a Woman (1961), Jeanne Moreau appears as herself. This becomes obvious because Jean-Paul Belmondo's character, while meeting her at a café, asks her: "How is 'Jules And Jim' coming?" A Woman Is a Woman (1961) was released in 1961, while Jules and Jim (1962) in 1962, but the reference exists because François Truffaut and Godard were friends at the time, and often collaborated in each other's movies. See more »

Goofs

When Jim recites La Marseillaise, the sound doesn't quite match up to the way that his lips are moving. See more »

Quotes

Catherine: As a little girl I learned: "Our Father who art in heaven." I thought it said "who arts in heaven." I imagined my father with an easel painting outside the pearly gates.
See more »

Connections

Referenced in Alex in Wonderland (1970) See more »

Soundtracks

Le Tourbillon
Written by Serge Rezvani
Performed by Jeanne Moreau
Played at the guitar by Serge Rezvani
See more »

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User Reviews

Problematic, But Worth Your Time
17 August 2004 | by WoodyFan1987See all my reviews

Jules et Jim is a difficult film, there's no question about that. I'd say the only thing that kept me watching was my love of Truffaut – his ingenuity in cinematography, dialogue and just the whole tone of the film. That he could keep such melodramatic (if not drab) stuff somewhat entertaining is a testament to his mastery of the medium. I loved the blending of historical film into the narrative; I don't know if he was the first person to do this – I highly doubt it – but he certainly did it well in this picture.

Jules et Jim is a study of capriciousness. Catherine – a woman to whom monogamy seems like a foreign concept – is, to paraphrase the film, `not particularly intelligent, beautiful or kind, but she's treated like a queen.' Why Jules and Jim love her so, I don't know. They seem like strong enough characters to be without such a difficult woman, but I guess that question is at the center of the film.

For some reason, Jules et Jim reminded me of L'Avventura by Antonioni – maybe because it was also a hard movie to enter and because the characters were so inaccessible. There are certainly elements of the neo-realism in this film, (one need look no further than the extensive use of mist and the forest scenes that closely resemble the dream sequences of Fellini, De Sica, et. al.)

Overall, I would say this picture is worthwhile, although there are certainly better, more accessible and mature Truffaut films out there.


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