Sir Richard Attenborough plays Ernest Tilley, a man who lost his daughter in a hit-and-run accident. He tracks down the man responsible for the accident and boards the same plane, ... See full summary »
When a spaceship lands on the moon, it is hailed as a new accomplishment, before it becomes clear that a Victorian party completed the journey in 1899, leading investigators to that mission's last survivor.
During the Cold War, a RN warrant officer stationed in the British Embassy in Warsaw leaks secrets to his Polish girlfriend who's a Soviet agent and after his transfer to a naval station in Britain he joins a Soviet spy ring.
This movie is based on a true story as written in A.P. Scotland's autobiography "The London Cage". The plot has greatly exaggerated the actual events of A.P. Scotland's experiences, including the addition of a fictional love interest.
Hysterical panic has engulfed the world after the United States and the Soviet Union simultaneously detonate nuclear devices causing a change to the nutation (axis of rotation) of the Earth.Written by
Miss Evans picks up the phone in Jefferson's office and tells Jefferson "Professor Chakovski (sp?) is on the phone." Then a slightly different-sounding dubbed-in woman's voice says "just a minute, please," but Evans' mouth doesn't move. (Approximately 42:30.) See more »
The credits say introducing Edward Judd, but he has 39 listed credits before this movie. See more »
Although listed as cut by the BBFC, the then censor John Trevelyan passed the film uncut according to his memoirs. The 'X' certificate was given due to the subject matter, and occasional tough language, being unsuitable for anyone under the age of 16. Video and DVD releases are now rated PG. See more »
1961's "The Day the Earth Caught Fire" must be judged according to the parameters of classics as 1951's "The Day the Earth Stood Still", and not today's special effects mega productions in which the perspective of the disappearance of planet Earth is taken with cynic humor. The idea came to director Val Guest during the Cold War in 1954, and it is under that decade's spirit that the movie is better appreciated. I remember seeing it when it opened, and I've never forgotten that experience, specially its tinted sequence. Forty-three years later I am able to see it again, and it's still the same notable film, not the least affected by today's cinematic technology, because, in its core, Guest's motivation -the worry for the actions of mindless men who struggle to control the Earth- is still relevant. If it's not highly regarded today as "The Day the Earth Stood Still", I think it has to do with the fact that Universal sold it as a B movie in America (though not so by British Lion in the UK, where it was a huge success, and won the film industry's top prize for its screenplay) and because not too many critics paid attention to it and wrote positive reviews, establishing it as an important science-fiction movie since then. Although there are very few re-enacted disaster scenes and it relies upon footage of real catastrophes, the tension is handled effectively in the newspaper's office where most of the action takes place, with its overlapping dialogues and constant flow of new information; and in the development of the romantic story in the midst of violence and terror in the streets. Edward Judd, Janet Munro and Leo McKern contribute good performances to this fine movie, shot in wide-screen Dyaliscope.
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