In 18th-century England, the Royal Crown sends Royal Navy Captain Collier and his crew to investigate reports of illegal smuggling and bootlegging in a coastal town where locals believe in Marsh Phantoms.
Peter Graham Scott
Janet is a young student at a private school; her nights are troubled by horrible dreams in which she sees her mother, who is in fact locked in an insane asylum, haunting her. Expelled ... See full summary »
In the Eighteenth Century, in Spain, a beggar comes to the castle of a cruel marquee on his wedding day to beg for food, and the marque locks him in his dungeon, where he is forgotten. The mute daughter of the gaoler feeds him along the years. When she grows-up, the widower marquee unsuccessfully tries to shag her and locks the servant in the dungeons with the beggar that rapes her. When she is released, she kills the marquee and flees to the forest. She is found living like an animal in the woods by Don Alfredo and he brings her home. Soon his servant Teresa finds that she is pregnant. When she gives birth to a boy on Christmas, she dies and the boy Leon is raised by Don Alfredo and Teresa. A few years later they learn the curse that the boy carries with him, and the local priest advises that he must be raised with love. What will happen to Leon?Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Oliver Reed used to enjoy frightening fellow motorists by driving home in his full werewolf makeup, after finishing work for the day. See more »
During the film's opening titles, the camera zooms in on the werewolf's eyes which are clearly hazel. When Leon transforms in the jail cell, his eyes are initially Oliver Reed's natural color: pale blue. When he turns at stares at the old man in the cell with him while in mid-transformation, he is clearly wearing hazel-colored contact lenses like the ones shown over the opening titles. However, when he has fully transformed into the werewolf and moves towards the old man, his eyes are again clearly pale blue and remain that color for the rest of the film. See more »
Cristina, do you love me? Will you marry me Cristina? You say you love me, will you marry me?
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The film had considerable problems with the BBFC on its initial cinema release and was subsequently cut by around 5 minutes before release. Much of the edits were made to the beginning of the film and involved the complete removal of the scenes where the servant girl is attacked in the castle dungeon, and her later confrontation with the Marquis (which results in his fatal stabbing). Other cuts included heavy edits to the murder scenes and a shortening of the bedroom scene between Leon and the prostitute. The 1995 Warner VHS featured a print often shown by BBC which featured different cuts. Much of the above was intact (bar for a reduced stabbing) though additional shots were missing including scenes showing dead bodies, shots of dead goats, and much of the climactic killing of the werewolf, including his deafening by the bells, the bloody gunshot wound, and some shots of his dead face over the closing credits. The film was later completely restored with all the missing footage intact and first shown on BBC in 1994, and this version was released (on Region 1 DVD only) as part of Universal's "Hammer Horror Series" 8 film box set. The 2010 12-rated DVD features the same restored and fully uncut print. See more »
Terence Fisher directed this violent but effective werewolf tale from Hammer studios. It begins with a beggar being imprisoned in a dungeon after offending the local royalty. Years later, after falling into an degenerate state, the beggar attacks the mute servant girl of his jailer. She escapes, but later dies after giving birth on Christmas day, but her baby is adopted by a couple. Years later, the baby has grown into a young man named Leon(played by Oliver Reed) who leaves his father(played by Clifford Evans) to go look for work in the city, but the werewolf curse of his birth takes hold, as he goes on a murder spree, which only the love of a woman can prevent... Oliver Reed is quite good as the doomed young man, helped by fine direction and makeup F/X, though the story is overly lurid, particularly for its time.
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