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Princess of Cleves (1961)

La princesse de Clèves (original title)
Princess of Cleves is married with a rich and old prince but she loves secretly a lord younger, more beautiful and also very popular.

Director:

Jean Delannoy

Writers:

Madame de La Fayette (novel), Jean Cocteau (adaptation)
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Cast

Cast overview, first billed only:
Jean Marais ... Le Prince de Clèves
Marina Vlady ... La Princesse de Clèves
Jean-François Poron Jean-François Poron ... Le Duc de Nemours
Annie Ducaux ... Diane de Poitiers
Lea Padovani ... La Reine Catherine de Médicis (as Léa Padovani)
Raymond Gérôme Raymond Gérôme ... Le Roi
Alain Ferral Alain Ferral ... Le Dauphin François
Renée-Marie Potet Renée-Marie Potet ... La Dauphine Marie-Stuart
Henri Piégay Henri Piégay ... Le Vidame de Chartres
Piéral Piéral ... Le Bouffon
Ivan Dominique Ivan Dominique ... Le Chevalier de Guise
Léa Gray Léa Gray ... Madame de Mercoeur
Jacques Hilling Jacques Hilling ... Le Médecin
Hubert de Lapparent Hubert de Lapparent ... Ambroise Paré
Georges Lycan Georges Lycan ... Le Majordome
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Storyline

Princess of Cleves is married with a rich and old prince but she loves secretly a lord younger, more beautiful and also very popular.

Plot Summary | Add Synopsis

Genres:

Drama | History | Romance

Certificate:

See all certifications »
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Details

Country:

France | Italy

Language:

French

Release Date:

22 March 1961 (France) See more »

Also Known As:

De prinses van Kleef See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Connections

Referenced in Soft and Hard (1985) See more »

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User Reviews

 
Should be restored to favor.
29 October 2002 | by dbdumonteilSee all my reviews

"La Princesse de Cleves" was released at the wrong time.The reasons are obvious:

1. It was the heyday of the nouvelle vague and Jean Delannoy was a laughing stock for all these directors."He does not live his movies" was what M.Godard used to say.I'm not sure M.Godard used to live His.

2.The mainstream audience mistook the movie for a swashbuckler entertaining yarn , a genre which was very popular in France at the time .It was after all a costume movie and Jean Marais was par excellence the sword hero.

So nobody was satisfied and the film died commercial and artistic death.It should be restored to favor now,because ,simply, it's really a beautiful movie which has stood the test of time quite well,as well as ,say, Jacques Rivette's "la religieuse" .

There's a contrast ,in "la princesse de Clèves" between the brightness and the beauty of the cinematography -several sequences are stunning:the first one,the magnificent ball ,one of the most entrancing openin scene ever filmed and the last one,when the duc de Nemours comes to the lodge in a misty morning ,is awesome- and the screenplay,which is very austere,and might put off some viewers .Madame de la Fayette 's novel tells a story of passion,but a passion which struggles with reason and duty.Some people said that Marina Vlady's performance was remote and that her feelings could not reach us:that's partly true.But It 's a woman from the sixteenth century depicted by another woman from the seventeenth!Jean Cocteau's adaptation,if he wanted to be faithful to De la Fayette's work had to invent another psychology ,another language (the dialogue is very precious and literary).

Jean Delannoy 's directing,icily impersonal,is very effective here.The cast and credits,at the beginning , fit the movie like a glove.We see the characters as some Madame Tussaud statues.Cocteau's favorite actor,Jean Marais gives a wonderful performance:his prince de Clèves is oozing with suffering and longing to be loved.His commitment to his role is extraordinary.This was the great thespian's farewell to youth as well as his last great part,with the eventual exception of Jacques Demy's "peau d'âne"(1970).

The ending slightly differs from the novel-Madame de La Fayette simply says that Madame De Clèves 's life was rather short-but Cocteau found an adequate equivalent.


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