Marcel, a simple-minded factory worker, is tricked into buying a high-priced American convertible by a widow determined not to let it fall into the hands of her late husband's secretary/... See full summary »
Gérard Durand announces brutally to his father, Emile, popularizer of an insecticide powder, that he is in love with Suzy Beauminet and that he has decided to follow his future beautiful family in his travels of traveling comedians.
Mr. Pezzella owns and operates a very well established luxury clothing store. He does not like and does not consider it right to pay taxes and therefore uses a tax consultant to be able to evade more taxes.
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Based on the classic novel "Candide" by Voltaire, but set in the World War II era. In this story, Candide, a young Westphalian born in the castle of Thunder-ten-tronckh, is driven out of ... See full summary »
1) Jerôme Chambard, a retired man, taken in by nuns in a convent, swears like a trooper. 2) Françoise takes a lover because he has promised her a diamond necklace. 3) Denis, a seminarist, ... See full summary »
Entertaining, colorful romp from a much-filmed source including three versions by distinguished film-makers: in 1929 (directed by Alberto Cavalcanti; available on DVD from Image), 1943 (directed by Abel Gance) and 1990 (directed by Ettore Scola; I actually watched this one some time ago, and I recall it being more of a meditative fantasy on role-playing than the unassuming romantic swashbuckler the 1961 film under review emerges to be!).
Jean Marais looks more at home here than he did in PONTIUS PILATE (1961), which preceded this viewing: he's typically dashing and athletic and, despite being 48 years old, is said to have done all his own stunts. Since the plot revolves around a traveling theatrical troupe and culminates in a revelation which links one of its members to the villain of the piece, it probably influenced Rafael Sabatini's classic "Scaramouche" (itself filmed numerous times, and whose titular figure even makes a fleeting appearance at one point in the film!). This version, then, suffers from generally uninspired handling (it doesn't help that I'm not at all familiar with the director) though the plentiful action sequences are admittedly energetic.
Leading lady Genevieve Grad is decent enough (although the supporting role of the gypsy girl Chiquita, played by Joelle La Tour, is a far more interesting character) and Gerard Barray appropriately slimy as Marais' nemesis. The supporting cast, luckily, features a number of reliable character actors among others, Philippe Noiret, Louis De Funes, Riccardo Garrone (his duel at night with Marais is a definite highlight) and Jean Rochefort; interestingly enough, rather than showing the film's happy ending in full, all four actors are involved in a mocking re-enactment of it!
Finally, however, the film is overlong since we also get too many subplots and contrived situations for instance, Chiquita (who, with her lover, had intended to rob the troupe) and a couple of hired assassins (Garrone and Rochefort) conveniently reform and decide to help in the hero's cause!
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