A group of rich Italians head out on a yachting trip to a deserted volcanic island in the Mediterranean. When they are about to leave the island, they find Anna, the main character up to this point, has gone missing. Sandro, Anna's boyfriend, and Claudia, Anna's friend, try without success to find her. While looking for the missing friend, Claudia and Sandro develop an attraction for each other. When they get back to land, they continue the search with no success. Sandro and Claudia proceed to become lovers, and all but forget about the missing Anna.Written by
After it was initially met with derision, 35 critics rallied and published a defense which helped elevate the film's reputation. See more »
During the sequence in which Sandro and the newspaper reporter cross a street, the shadows of the camera and the crew are clearly and prolongedly visible on the actors and on the street surface. See more »
[Admiring the buildings of a small town from a roof top]
Such imagination. Such movement. They were concerned with the architectural aesthetics. Such extraordinary freedom. I must go ahead and leave Ettore. I'd like to work on design again. I used to have ideas of my own, you know.
Why did you stop?
Why, why, why? Because it isn't easy to admit that a red floor suits a room when you are thinking exactly the opposite. But the lady wants it red. Because there is always a lady... or a man... and so...
[...] See more »
The circular story, the emphasis on isolation and futility, and the symbolic use of Sicilian landscape returned with greater strength in "L'Avventura," the first film in a free trilogy ("La Notte" and "L'Eclisse" followed) about restless, disillusioned unhappy women and sensitive, unreliable, soft men...
Some way into the movie and without a careful explanation, a central affluent character disappears without a trace from a yachting trip... Few of the group of socialiteswealthy, elegant, boredcome in sight bothered by what has occurred, and while the girl's neglectful sweetheart and her best friend (Monica Vitti) pair off in a search around a remote, uninhabited island, they embark on a spontaneous exciting intimacy
The story is simple, but the greatness of the film, however, is in two parts... First, it analyzes the psychology of the two main characters in keen and penetrating yet doubtful tones... Second, unconcerned with the reasons for the girl's unexpected disappearance, Antonioni instead concentrates on the moral discomfort that drives forward their closest knowledge to betray her memory...
19 of 33 people found this review helpful.
Was this review helpful to you?
| Report this