After marrying an American lieutenant with whom he was assigned to work in post-war Germany, a French captain attempts to find a way to accompany her back to the States under the terms of the War Bride Act.
Victor and Hillary are down on their luck to the point that they allow tourists to take guided tours of their castle. But Charles Delacro, a millionaire oil tycoon, visits, and takes a ... See full summary »
A submarine newly commissioned is damaged in the opening days of WW II. A captain, looking for a command insists he can get it to a dockyard and captain it. Going slowly to this site, they find a stranded group of Army nurses and must take them aboard. How bad can it get? Trying to get a primer coat on the sub, they have to mix white and red in order to have enough. When forced to flee the dock during an air attack, they find themselves with the world's only Pink submarine, still with 5 women in the tight quarters of a submarine.Written by
John Vogel <email@example.com>
A submarine based at Cavite, the USS Seadragon, did go on patrol with a red paint job. Her original black paint was damaged by fire in the air raid, and ended up peeling off while she was on patrol. She ended up sinking three Japanese ships during the time her paint was peeling, leading Tokyo Rose to make broadcasts about "Red pirate submarines." See more »
When Holden is stealing the pig, he falls down in the mud and clearly gets the seat of his uniform muddy. Yet when he is climbing into the truck, the trousers are clean. See more »
Opening sequences as viewed through a periscope with cast and crew as various sea creatures. See more »
Original German version was edited by ca. 22 minutes. Kinowelt DVD release incorporates ca. 5 minutes back into the film (all non-dialogue) and has the uncut English version as a bonus feature. See more »
Be warned that this film has great comic dialogue delivered with fine timing by good actors, but if you are prissy about political correctness and hung up on "gender issues", it might discomfort you. But that's your problem, not the film's. Most viewers can just come aboard and enjoy the voyage, appreciating the comic situations and energetic pace. Grant and Curtis are in top form, playing their contrasting characters with skill. Virginia Gregg's and Arthur O'Connell's characters' love/hate relationship is a clever use of classic "gender issues" to elicit laughs and sympathy. The women in this film are more than just sexy ballast. In any case, as a great French comedian noted, "Vive la difference!" Relax, enjoy, and anchors aweigh.
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