American pilot Cliff Brandon, fighting the Japanese in China, finds himself the unintentional "owner" of a Chinese housekeeper, Shu-Jen. The unlikely couple falls in love and marries, but not without tragedy brought on by the war.
Three Broadway producers struggling to get backing for their show hope one's sudden inheritance of a half interest in a Parisian fashion house is the answer. They travel to Paris only to learn the salon is in debt and requires their help.
Two inmates working to shore up a dike during a severe flood are swept away in the current along with their guard. The three of them wind up in an isolated house whose flooded interior contains a frightened woman.
What happens when you find 'the one' and she flirts with another guy at the beach while you're bored and angry at her from an argument the night before. The Big Fish follows Eric, a ... See full summary »
I saw The Big Fisherman at 9 years of age when it first came out. I was very impressed with this, the only other film in history to use the Camera 65 process used for Ben-Hur the year before. I remember the general feeling being that despite its grandeur this film was a minor achievement compared to other biblical blockbusters of the era (Spartacus, King of Kings, The Robe, Ben Hur, The Greatest Story Ever Told, The fall of the Roman Empire, etc.). Just the same, the majesty of the proceedings, the music, the colour cinematography, the dazzling sets of Old Jerusalem but, most of all, the wickedness and darkness of the subplot involving the evil Herod family and culminating in Salome's dance left an indelible impression which I can't wait to renew if and when this film (unavailable in any medium)comes out on DVD.
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