In California, an old man (Bela Lugosi) grieves the loss of his wife (Vampira) and on the next day he also dies. However, the space soldier Eros and his mate Tanna use an electric device to resurrect them both and the strong Inspector Clay (Tor Johnson) that was murdered by the couple. Their intention is not to conquer Earth but to stop mankind from developing the powerful bomb "Solaranite" that would threaten the universe. When the population of Hollywood and Washington DC sees flying saucers in the sky, a colonel, a police lieutenant, a commercial pilot, his wife and a policeman try to stop the aliens.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In one scene two different screams come from Paula's mouth at the same time. See more »
Greetings, my friend. We are all interested in the future, for that is where you and I are going to spend the rest of our lives. And remember my friend, future events such as these will affect you in the future. You are interested in the unknown, the mysterious, the unexplainable. That is why you are here. And now, for the first time, we are bringing to you the full story of what happened on that fateful day. We are bringing you all the evidence, based only on the secret testimony ...
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In the colorized Legend Films DVD release, during one shot of the scene where the Ghoul Man terrorizes the woman in her home, the images inside the picture frames on the bedroom wall have been digitally replaced with pictures of other people. This anomaly does not occur in any other print of Plan 9 and is unique to the Legend Films release. See more »
There is a scene in Tim Burton's Bio-flick/homage to Ed Wood where the director bumps into Orson Welles in a Hollywood watering hole-in-the-wall, and gets a brief spirit-lifting speech from the great one about remaining true to your vision and not letting the clerks and backers (who ARE clerks, regardless where they live or what fate finds them doing for a living) get you down. Maybe we should have to look at that scene before watching this film.
If Plan Nine is awful, it is probably so precisely because it IS so grandly ambitious. --If all ambition cannot culminate in a Citizen Kane or a Vertigo, maybe it gives us a moment to mourn quietly for the rest of us, the ones who worship genius as Ed Wood no doubt did without being geniuses ourselves. Bottom line, no matter what cards you get, you can laugh or you can cry at life. Ed Wood put on nylons and pumps and, making sure his seams were straight, marched into the fray of life like a true Hero Born. He stuck incongruous, obvious stock footage into his magnum opus, knowing the poetry would arise from the montage; he improvised long stretches, fully certain he would get the same results Welles could working under similar circumstances; he tried valiantly to coax performances out of wretched actors, or fatally self-conscious non-actors, like Criswell and Vampira, and put them in no matter how their work turned out ("No time to re-shoot!"). No matter what, you have to admire his staying in the game.
VanGogh is perhaps the best case scenario of a loser who cranked away, certain he was onto something, who is lucky enough to have the entire world one day concur. Ed Wood's is, sadly, the more often played scenario. He is positive attitude, high ambition and wishful thinking, unsupported. He was certain he was onto something. He could not have been more wrong about anything if he had tried to be.
Oh yeah baby. "Ich bin ein Ed Wood."
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