A housewife is doing her best to keep her family together as it's slowly falling apart, a fact she's trying to ignore. Her cheating husband's birthday party is approaching and many lines will be crossed after that event.
Montmartre, 1896: the Can-Can, the dance in which the women lift their skirts, is forbidden. Nevertheless Simone has it performed every day in her nightclub. Her employees use their female ... See full summary »
Dave Hirsch, a writer and an army veteran winds up in his small Indiana hometown, to the dismay of his respectable older brother. He meets and befriends various different characters and tries to figure out what to do with his life.
Harriet Blossom, the lonely wife of a workaholic brassiere manufacturer, breaks her sewing machine and ends up in bed with the repairman, a mechanic from one of her husband's factories. The... See full summary »
Former seaman Clinton Jones now works at a lowly job. His daughter Ruth wants to become an actress. Clinton gets fired and Ruth rejects the advances of Fred Whitmarsh. Her father gives her ... See full summary »
It's 1884 in Yonkers, New York. Dolly Gallagher-Levi is a Jane-of-all-Trades, but her latest and most lucrative venture is as a matchmaker, setting men up with women with the intention of matrimony. This job is ironic as she was previously married herself, not enjoying the experience. Her latest client is older penny-pinching retail store owner, Horace Vandergelder, who works his two young meek clerks, Cornelius Hackl and Barnaby Tucker, to the bone. As Horace won't give them a day off, Cornelius and Barnaby plot to close the store and sneak into New York for the day, their mission to meet and kiss a girl. In New York, Cornelius spots Irene Molloy, a young female milliner upon who he sets his sights. On their meeting, Cornelius is unaware that she is also one of Horace's possible brides. Beyond what happens between Horace, Cornelius and Irene, Dolly herself may be ready for matrimony again despite her words to the contrary.Written by
I have always loved the "straight play" version of the Dolly story. Actually Thornton Wilder's play had a previous incarnation set in Austria, in the German language. He had written it for Broadway in the fifties, it was filmed in 58 in this version, and Jerry Herman must have seen it and fallen in love with it for the musical "Hello, Dolly!". Parts of this are superior to the original stage version of the musical. The film version of the musical is dreadfully over danced and Streisand was way too young for the lead role. Shirley Booth, here in this "Matchmaker", is much closer, in a way to Channing's Dolly of Broadway. I have often wished that SOMEONE would re-do the musical for either video or film. I saw the 1964 Channing production and it was magical. Hollywood so often trashes these brilliant stage works. Anyway, rent this film when you can and compare it to the Streisand "Dolly".
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