Three vignettes of old Irish country life, based on a series of short stories. In "The Majesty of the Law," a police officer must arrest a very old-fashioned, traditional fellow for assault... See full summary »
John Ford weaves three "Judge Priest" stories together to form a good- natured exploration of honour and small-town politics in the South around the turn of the century. Judge William ... See full summary »
An aging politician tries to get re-elected one last time in the changing world of the 1950s when TV started to play a bigger part in politics. Based loosely on the career of multi-term Boston Mayor James Michael Curley, this film examines the good and evil inherent in politics and all the things that go into an election. Tracy's uphill battle to stay in office is set against the political machinery that preyed on ethnic hatred and old-time money.Written by
Edwin O'Connor's 1956 novel "The Last Hurrah", on which the movie is based, is a fictionalized version of former Boston (MA) Mayor James Michael Curley, a celebrated rogue who raised municipal corruption to an art form. Curley tried to stop production, not because he was being negatively depicted but because he believed that the film would prevent Hollywood from making a biographical film of his life the way he wanted it done. Curley died at age 83 in 1958, the year the film was released. He had last served as mayor from 1946-50. Skeffington also says that he was several times mayor of " . . . this great city, and governor of the state", even though the name of the city and state are never spoken. See more »
When Frank Jr. bursts into the bedroom to see his dying Father, the doorknob comes apart and the interior knob falls off. The Doctor immediately follows him into the room, and the doorknob is once again intact. See more »
A homespun and sentimental take on politics, with Spencer Tracy playing Frank Skeffington, an old style Irish Catholic big city mayor caught in a cooked up scandal by his blue blood Prostestant Republican enemies. Crowded scenes add to the pace as the characters whip through the sharp Frank Nugent screenplay like a hot knife going through butter. Directed by John Ford, the film previews the changes that have since taken place in American politics i.e. television imagery and big money, and here we see them presented in a political campaign pitting Skeffington against a younger, telegenic, politically inept opponent financed by the city's conservatives. With John Carradine giving a memorable performance as ultra-conservative newspaper publisher and ex-Klansman Amos Force, and personal favorite Ken Curtis playing a monsignor, the film blends the typical Ford elements: fairness and tolerance against hypocrisy and greed.
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