A cowboy named Tuck Kirby seeks fame and fortune by capturing an Allosaurus living in the Forbidden Valley and putting it in a Mexican circus. His victim, called the Gwangi, turns out to have an aversion to being shown in public.
While sailing with Princess Parisa to Baghdad to their wedding, Sinbad finds the Colossa Island and anchors his vessel to get supplies for the starving crew. Sinbad and his men help the magician Sokurah to escape from a Cyclops that attacks them, and Sokurah uses a magic lamp with a boy jinni to help them; however, their boat sinks and he loses the lamp. Sokurah offers a small fortune to Sinbad to return to Colossa, but he does not accept and heads to Baghdad. The citizens and the Caliph of Baghdad are celebrating the peace with Chandra, and they offer a feast to the Sultan of Chandra. Sakurah requests a ship and crew to return to Colossa but the Caliph refuses to jeopardize his countrymen. However, the treacherous magician shrinks the princess and when the desperate Sinbad seeks him out, he tells that he needs to return to Colossa to get the ingredient necessary for the magic potion. But Sinbad has only his friend Harufa to travel with him, and he decides to enlist a doubtful crew in...Written by
Claudio Carvalho, Rio de Janeiro, Brazil
To receive the original 'A' certificate in 1958 and then a 'U' certificate in 1962 the original UK cinema release was heavily cut by the BBFC who completely removed the skeleton fight, as well as making edits to the man roasting on a spit, the dancing snake woman, close-up shots of the Cyclops, and scenes of minor violence including fighting and shots of dead bodies. All later video releases were restored and uncut. See more »
After his wife-to-be, Princess Parisa (Kathryn Grant), is shrunk by an evil magician, Sinbad (Kerwin Mathews) undertakes a perilous journey to a mysterious monster inhabited island, in an attempt to restore her to full size (and who can blame him-she's a total babe and wears the kind of outfit most red-blooded men wish they could get their woman into).
Almost fifty years on, The 7th Voyage of Sinbad may seem dated (particularly for those only familiar with CGI monsters) but, in my opinion, it still has the power to captivate and amaze. With Ray Harryhausen's wonderful stop motion effects (which include a cyclops, a dragon, a snake-woman, a giant two-headed bird and an animated skeleton) and a timeless magical tale of swashbuckling heroics, director Nathan Juran delivers a classic slice of fantasy cinema.
A cracking opening gets straight to the action with Sinbad and his men encountering bad-guy Sokurah when their ship is blown off course and ends up at the island of Colossa. The wicked magician is being chased by a cyclops, but is rescued by Sinbad and his men, who help him to safety aboard their vessel. Sokurah wishes to be returned to the island in order to get his hands on a magic lamp (now in the possession of the cyclops), but Sinbad is headed for Bagdad where he is to be married to the gorgeous Parisa, and ain't nothing going to stop him from tying the knot. Nothing, that is, 'cept for his woman being reduced to the size of a small doll.
Not realising that Sokurah is to blame for her diminutive stature, Sinbad is conned into returning to Colossa, where the nasty magician says he can create a potion which will return Parisa to normal.
Great fun from start to finish, The 7th Voyage is packed full of great scenes (my favourite being the Cyclops preparing a tasty snack--spit-roasted sailor) and is perfect fare for fantasy-loving kids and adults alike. And, if you like this, seek out the Golden Voyage of Sinbad, which I think is even better.
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