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La Parisienne (1957)

Une parisienne (original title)
Set against the picturesque springtime in Paris, the prime minister's daughter marries a buttoned down cabinet official, but when her new husband starts stepping out behind her back, the young bride takes of for the Riviera.

Director:

Michel Boisrond

Writers:

Annette Wademant (original scenario), Jean Aurel (original scenario) | 4 more credits »
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Cast

Cast overview, first billed only:
Charles Boyer ... Le prince Charles
Henri Vidal ... Michel Legrand
Brigitte Bardot ... Brigitte Laurier
Noël Roquevert ... Le docteur d'Herblay
Madeleine Lebeau ... Monique Wilson
Fernand Sardou Fernand Sardou ... Fernand le Barman
Claire Maurier Claire Maurier ... Caroline Herblay
Robert Pizani Robert Pizani ... Ambassadeur Mouchkine
Guy Tréjan ... Le colonel d'aviation
Judith Magre ... Irma
Harry-Max Harry-Max ... L'ambassadeur (as Harry Max)
Marcel Charvey Marcel Charvey ... Un mauvais garçon
Vera Talchi Vera Talchi ... Titine
Marcel Pérès Marcel Pérès ... Le général (as Marcel Pérés)
Henri Cogan Henri Cogan ... Un bagarreur
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Storyline

The President of France's daughter falls for her fathers attaché and asks to be his mistress. Instead he marries her and flies off on their honeymoon. On the honeymoon she meets the prince who makes friends with her. This leads to a scandalous trip to Nice. Did something go wrong? They both come back with a cold. Is it from swimming or an assignation? The husband is jealous. What's the truth? Written by stephen scialli

Plot Summary | Add Synopsis

Taglines:

The Frankest, Frenchest, Funniest BARDOT Ever! See more »

Genres:

Comedy

Certificate:

See all certifications »
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Details

Country:

France | Italy

Language:

French

Release Date:

16 December 1957 (France) See more »

Also Known As:

La Parisienne See more »

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Box Office

Budget:

$450,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The airplane used is the Morane-Saulnier MS.755 Fleuret, a prototype French two-seat jet trainer designed and built by Morane-Saulnier. It failed to gain any orders but was developed into the larger four-seat MS.760 Paris. The one and only prototype was registered F-ZWRS, in the movie it is shown as F-WZRS. See more »

Quotes

[first lines]
Michel Legrand: I'll speak to the Prime Minister. Call me in two weeks.
See more »

Alternate Versions

Being a French-Italy co-production, the film has two original titles: "La Parigina" in Italy, and "Une Parisienne" in France, spoken in Italian and French, respectively. The film premiered end 1957, and was dubbed in English for the international markets as "La Parisienne" early 1958. The official VHS and DVD releases (PAL system), from René Château are also titled "La Parisienne" but have the original French dialogue and English subtitles. The pre-title sequence was omitted from the video release, but it exists from an earlier TV broadcast. See more »

Connections

Referenced in L'amico del giaguaro (1959) See more »

Soundtracks

La Parisienne
Composed by Henri Crolla
Sung by Christiane Legrand
See more »

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User Reviews

 
UNE PARISIENNE (Michel Boisrond, 1957) **
29 January 2010 | by Bunuel1976See all my reviews

Even more frivolous, thus less rewarding, than COME DANCE WITH ME (1959; see my review elsewhere), this is really nothing more than a Hollywood-type sex comedy (with the heroine – once more, Brigitte Bardot – forsaking true love temporarily for a fling with a suave but aging prince played by Charles Boyer, no less!) spiced up with the new-fangled French naughtiness. Actually, the movie's two halves barely jell together as we first see the central couple (the man, by the way, is COME DANCE WITH ME's Henri Vidal and, throughout this lengthy initial sequence, we also get to see Noel Roquevert from that same film) being forced into marriage after she is surprised in the hero's bed during a week-end hunting party by her father, the current Prime Minister. Eventually, the two have a row and she vows to throw herself at the first man she meets: of course, since all of this occurs at the visiting Boyer's welcome festivities, it is he who becomes her 'target'; needless to say, he is happy to oblige…while spouse Nadia Gray who, naturally, is aware of his foibles covers up for him during engagements of state (especially when he flies off with Bardot to London)! This interlude, in fact, occupies the film's latter stages and even includes Boyer being mistaken for a gangster (perhaps a nod to his celebrated turn as Pepe' Le Moko in ALGIERS [1938]) in a pub – from which he and Bardot have to fight their way out! As I said at the start, UNE PARISIENNE is basically fluff which, though good-looking per se, does not have enough substance for it to be elevated beyond that.

Hollywood REMEMBERS: BRIGITTE BARDOT (TV) (N/A, 1990) **

Included on the R2 DVD of UNE PARISIENNE (1957) released by C'Est La Vie was this 25-minute pseudo-documentary about the French sex kitten. Exclusively featuring narration over scenes from a handful of her (thankfully)rarer films, these include a few that I happen to have in my collection, namely: Anatole Litvak's ACT OF LOVE (1953; a Hollywood-French co-production starring Kirk Douglas), Marc Allegret's MADEMOISELLE STRIPTEASE (1956), THE NIGHT HEAVEN FELL (1957; directed by her "Svengali" husband Roger Vadim and co-starring Stephen Boyd and Alida Valli), Serge Bourguignon's TWO WEEKS IN September (1967; with Laurent Terzieff and James Robertson Justice), Edward Dmytryk's SHALAKO (1968; an exotic Western that boasted an impressive cast: Sean Connery, Stephen Boyd, Jack Hawkins, Peter Van Eyck, Alexander Knox, Woody Strode and Honor Blackman) and her penultimate film, Vadim's DON JUAN OR IF DON JUAN WERE A WOMAN (1973; with Robert Hossein, Maurice Ronet, Robert Walker Jr. and Jane Birkin). Needless to say, Bardot's most famous films are also included - ...AND GOD CREATED WOMAN (1956), CONTEMPT (1963), VIVA MARIA! (1965) and SPIRITS OF THE DEAD (1968) - but the ones I most welcomed, personally, were those of films that are now virtually untraceable: BABETTE GOES TO WAR (1959) and PLEASE, NOT NOW! (1961)...which promises to be especially naughty and, in hindsight, might just fall into my lap one of these days! Title notwithstanding, Bardot had very little to do with Hollywood and this inadequate featurette only serves to highlight the fact that, most of the time, her star vehicles had little except her beauty and charm to commend them.


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