A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to ... See full summary »
While working as a counselor at a summer camp, college-student Marjorie Morgenstern falls for 32-year-old Noel Airman, a would-be dramatist working at a nearby summer theater. Like Marjorie... See full summary »
Two Americans on a hunting trip in Scotland become lost. They encounter a small village, not on the map, called Brigadoon, in which people harbor a mysterious secret, and behave as if they were still living two hundred years in the past.
At his mother's funeral, stuffy bank clerk Henry Pulling (Alec McCowen) meets his Aunt Augusta Bertram (Dame Maggie Smith), an elderly eccentric with more-than-shady dealings who pulls him ... See full summary »
Louis Gossett Jr.
After writing a tell-all book about her days in the dance troupe "Barry Nichols and Les Girls", Sybil Wren (Kay Kendall) is sued for libeling her fellow dancer Angele (Taina Elg). A Rashomon (1950)-style narrative presents the story from three points of view. Sybil accuses Angele of having an affair with Barry (Gene Kelly), while Angele insists that it was actually Sybil who was having the affair. Finally, Barry gives his side of the story.Written by
This film has a 100% rating on Rotten Tomatoes based on 7 critic reviews. See more »
Mitzi Gaynor breaks her picture over Gene Kelly's head, and storms out the door. As he gets up to go after her, the frame is still clearly around his neck. But as he goes out the door, the frame is gone. See more »
On the one hand, it has Gene Kelly and direction by George Cukor and the smart, smooth music of Cole Porter. But the structure of the plot is a bit bumpy, and most of this bumpiness stems from the RASHOMON-like tale starting, stopping, and starting again over two hours. A lot of people seem to think that the Porter score was sub-par; I wholeheartedly disagree. An especially lovely sequence is a rowboat scene between Kelly and Taina Elg which segues into the love song "Ca C'est L'amour." Also clever are the burlesque turn of "Ladies In Waiting" and the vaudeville-like "You're Just Too, Too" which pairs Kelly with the rapturous Kay Kendall. Kendall is, in many ways, the real star of LG with her deft comedy (drunkenly singing opera for five straight minutes!) and her cool, elegant beauty. Knowing that she died shortly after completing this film- and so young- makes one miss her charms all the more and also wish that the film had a larger following. (It's particularly enigmatic nowadays when compared to Kelly's bigger and better known hits: 'Singin' In The Rain,' 'An American In Paris,' 'Anchors Aweigh,' etc.) Still, Mitzi Gaynor is a dish, dancing with Kelly in a sexy black dress (in a weird Marlon-Brando-a'la-THE-WILD-ONE-send up). Thank goodness it's on widescreen DVD where it belongs.
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