In late 1952, an aging and increasingly paranoid Stalin puts in motion a purge against his doctors, with antisemitic overtones. His lackeys, including Khrushchev, Molotov and Beria, fear it will spread to the Politburo, and plan to strike first.
William Saroyan's Pulitzer Prize-winning play revolves around the denizens of a San Francisco bar in 1939. Lonely, lovelorn, weary or cynical, the characters drift in and out of the bar and each other's lives, giving voice to Saroyan's philosophies as they randomly comment about the impending world war, the beauty of art, and traditional notions of good and evil. At least one of the relationships stands a chance of enduring: a brawny innocent named Tom is falling in love with a vulnerable young prostitute named Kitty.
An impoverished woman who has been forced to choose between a privileged life with her wealthy aunt and her journalist lover, befriends an American heiress. When she discovers the heiress is attracted to her own lover and is dying, she sees a chance to have both the privileged life she cannot give up and the lover she cannot live without.
A few friends meet each weekend for a quiet game of cards. But they're bored with poker and, in trying to find another diversion, gradually find themselves plotting a hypothetical murder. It is hypothetical, isn't it?
As the Salo Republic crumbles around him, Mussolini, along with his mistress and several of his ministers flee with retreating Nazi soldiers, but are caught at the town of Dongo by red partisans. All are brutally executed without trial.
Key defense scientist Doner has cancer. Schramm is assigned to code Doner's thinking into a computer. He gets to know him as a friend, a husband and father. The project is successful, but he now knows identity is not programmable.