Nana is a 1934 American Pre-Code film, produced by Samuel Goldwyn, released through United Artists, starring Anna Sten. and directed by Dorothy Arzner and George Fitzmaurice. This version ... See full summary »
In Zola's Paris, an ingenue arrives at a tony bordello: she's Nana, guileless, but quickly learning to use her erotic innocence to get what she wants. She's an actress for a soft-core ... See full summary »
The daughter of a seamstress, Jeanne Bécu could hardly imagine she would later become one of the most influential women of the Kingdom of France. Nor could she anticipate her quick fall and... See full summary »
Gianna Maria Canale
Set against the picturesque springtime in Paris, the prime minister's daughter marries a buttoned down cabinet official, but when her new husband starts stepping out behind her back, the young bride takes of for the Riviera.
In the early 16th century, Italy is ruled by the powerful Borgia family, led by César Borgia and his sister Lucrètè. In a ruthless power play, César plots to have his sister's husband ... See full summary »
At an exclusive psychiatric clinic, the doctors and staff are about as crazy as the patients. The clinic head, Dr. Stewart McIver, thinks that it would be good therapy for his patients to ... See full summary »
Much better if you understand the context and purpose of the story.
Following the easy defeat of the French by the Prussians in the Franco-Prussian War of 1870, there were lots of recriminations on the government of Napoleon III. Many, such as the writer Emil Zola, saw it the result of over-confidence and decadence--and his story "Nana" was meant as a biting indictment against his society and government. However, most of this is missing in this 1955 version of the story-- one that looks nice but lacks the satire and underlying bite.
Nana is a stage actress of questionable talent. Nevertheless, she is a huge hit and the men of Paris adore her. While the film is a bit vague here, she clearly was a prostitute--working her way up from the streets to becoming the mistress of the rich and powerful. The story focuses mostly on a government minister, the Count Muffat (Charles Boyer) and his infatuation with this 'lady'. So, although Muffat is a champion of traditional values and family, under the influence of Nana, he's a hypocrite and libertine. And, during the course of his fling with Nana, you see that every man who comes under her spell is somehow ruined.
The obvious meanings in the story, as I said, are lost here in the film. It's a film about an alluring, selfish and amoral woman and not much more. As such, it is entertaining and looks quite nice but lacks the depth of the original tale. Good but nothing much more.
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