Follows Sergeant "Pepper" Anderson, LAPD's top undercover cop. A member of the Criminal Conspiracy Unit, Pepper works the wild side of the street, where she poses as everything from a gangster's moll to a streetwalker to a prison inmate.
Peter Churchman stopped robbing banks a long time ago and is now living as a wealthy and respected citizen in Pamplona, Spain. But then his former companion Angela appears and blackmails ... See full summary »
Saturday, April 9: A known bookie named Miller Starkie has been "cut in half" by a sawed-off, double-barrel shotgun. Working out of Intelligence Division, Sgt. Joe Friday and Off. Frank Smith piece together what little evidence they have, interview acquaintances, intimidate witnesses, interrogate suspects to the point of harassment, utilize a Minifon and a wiretap, and testify before the Grand Jury in a tireless effort to catch and convict Starkie's killers.Written by
Michael J. Hayde <firstname.lastname@example.org>
This movie goes to great lengths to demonstrate a broad-ranging approach to solving the crime and catching the villain - which occupies a large number of policemen and a serious expenditure of taxpayer's dollars. In the end, it reflects a ridiculous investment with no payoff whatsoever. The impact was that it impressed viewers with the skills, knowledge, tactics, and dedication of the the police, as well as cause people to question the apparent squandering of money and resources. See more »
The murder scene is an open lot bounded by Loma Vista, 3rd, Wentworth and Rachel. These are actual streets in the LA area but do not intersect or form a block. Obviously the geography is intentionally inaccurate, which is also the case with that referred to hundreds of films and television programs. In such instances, if an actual address is used the occupant would have grounds of legal action if the location were to attract unwanted visitors. See more »
Hard-hitting crime drama bearing little relation to TV series
"Dragnet" was the first theatrical feature to be based on a successful television series. Too bad its script bears little relation to the elements of that show.
In the 1952-59 series, viewers never saw the crime being committed. "Dragnet" was a mystery program; Sgt. Friday and Officer Smith would be called in to solve a crime, then locate and arrest the guilty party/parties. (As Webb put it, "This makes YOU a cop, and you unwind the story.") "Dragnet" (1954) begins with the actual crime, so that we KNOW who's guilty even before the titles appear. The movie is no mystery, merely the depiction of a murder investigation, in toto.
Worse, the Sgt. Friday in this film is not the quiet, dedicated cop of the radio and TV original. The feature marks the beginning of Friday the Supercop, the holier-than-thou sergeant never without a wisecrack for the criminal ("Unless you're growin', sit down!") or a put-down for the recalcitrant citizen ("Mr. Friday, if you was me, would you [testify]?" "Can I wait awhile... before I'm you?").
The film was a huge box office success, the most profitable of Webb's five theatrical productions. It cost a hair over $500,000 to make, and took in nearly six million. It was Warner's second-highest grossing film of 1954, after "The High and the Mighty." And, of course, it opened the door for the TV crossovers that continue to this day. It's just a shame that the "real" Sgt. Friday didn't appear, and an even bigger shame that this 'evil twin' eventually eclipsed the original.
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