Third Reich's Nazi propaganda epic about a heroic fictional German officer on board of the RMS Titanic. On its maiden voyage in April 1912, the supposedly unsinkable ship hits an iceberg in the Atlantic Ocean and starts to go down.
On the 100th anniversary of the original voyage, a modern luxury liner christened "Titanic 2," follows the path of its namesake. But when a tsunami hurls an iceberg into the new ship's path... See full summary »
Shane Van Dyke
Shane Van Dyke,
The story of the 1912 sinking of the largest luxury liner ever built, the tragedy that befell over two thousand of the rich and famous as well as of the poor and unknown passengers aboard the doomed ship.
George C. Scott,
The construction of the R.M.S. Titanic at the Harland and Wolff shipyard in Belfast against the background of union riots, political and religious conflicts, and a romance between a young ambitious engineer and an Italian immigrant.
Unhappily married and uncomfortable with life among the British upper crust, Julia Sturges takes her two children and boards the Titanic for America. Her husband Richard also arranges passage on the doomed luxury liner in order to let him have custody of their two children. Their problems soon seem minor when the ship hits an iceberg.Written by
Daniel Bubbeo <firstname.lastname@example.org>
Working titles for this film were "Nearer My God to Thee" and "Passenger List." See more »
Right at the start of the film, a valley glacier iceberg is shown splitting away and falling into the sea. The Titanic, though, was hit by an arctic iceberg, which is carried by the Gulf Stream southwards during the Northern Hemisphere summer when the outskirts of the Northern Arctic Ocean start to melt. See more »
[after a crewman plays a trumpet to announce dinner]
Why do the British find it necessary to announce dinner as if it were a cavalry charge.
See more »
What a surprise to see this 1953 sinking of the Titanic after the long and expensive James Cameron version. To say that Jean Negulesco's version is better is saying only half of it. In fact it is much, much better. The whole story told in half the time with a scrumptious script by Charles Brackett and Walter Reisch and superb performances by Barbara Stanwyck and Clifton Webb. The 1953 special effects are as effective as anything in Cameron's film but, I believe, that the secret of the older version is that the heart and mind of the filmmakers were on the human drama and the effects came to be part of it and not its center. It was also a time when stories were told thinking of an adult audience. The poignancy of of the tale is thought out by thinking people for thinking people. In the modern version, Leo teaches Kate how to spit, remember? Just look in Negulesco's version the power of the unfolding. Two disasters, one natural, irreversible, the other, human with unexpected twists and turns. Thelma Ritter plays Molly Brown with extraordinary little touches. Look at her eyes when she witnesses Webb shabby treatment of his son. Young and gorgeous Robert Wagner is a delightful plus. I advise you to rent it, you'll be amazed.
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