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The Adultress (1953)

Thérèse Raquin (original title)
Not Rated | | Crime, Drama, Romance | 6 November 1953 (France)
A truckdriver kills the husband of the woman he loves, and becomes the object of blackmail.

Director:

Marcel Carné

Writers:

Émile Zola (novel), Marcel Carné (adaptation) | 2 more credits »
Reviews
2 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Simone Signoret ... Thérèse Raquin
Raf Vallone ... Laurent
Jacques Duby Jacques Duby ... Camille Raquin
Maria Pia Casilio ... Georgette, la bonne
Marcel André Marcel André ... Michaud
Martial Rèbe Martial Rèbe ... Grivet (as Martial Rebe)
Paul Frankeur ... Le contrôleur
Alain Terrane Alain Terrane ... Un camioneur
Bernard Véron Bernard Véron ... Le postier
Jean Sylvère Jean Sylvère ... (as Jean Sylvere)
Francette Vernillat Francette Vernillat ... Françoise, la bossue
Lucien Hubert Lucien Hubert ... Le chef de gare de Dijon
Jacques Hilling Jacques Hilling ... (as Jacques Hiling)
Jean Rozenberg Jean Rozenberg
Madeleine Barbulée Madeleine Barbulée ... Madame Noblet, une cliente (as Madeleine Barbulé)
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Storyline

Therese has a boring life. She married Camille, her cousin, a sickly haberdasher, fully dominated by his mother (who lives with them). She dreams about passion. One day comes a truckdriver, Laurent... and of course they fall in love. But they will be pursued by fate. Written by Yepok

Plot Summary | Add Synopsis

Taglines:

Based on ZOLA's most powerful novel "Therese Raquin" See more »

Genres:

Crime | Drama | Romance

Certificate:

Not Rated | See all certifications »
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Details

Country:

France | Italy

Language:

French

Release Date:

6 November 1953 (France) See more »

Also Known As:

The Adultress See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (RCA Sound System PM51)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Raf Vallone refused to be dubbed in the French version and had his contract amended accordingly. The scenario was also slightly changed to "Italianize" the character of Laurent. See more »

Connections

Version of Thérèse Raquin (1956) See more »

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User Reviews

 
The last great Carné.
6 February 2002 | by dbdumonteilSee all my reviews

People generally think that Carné's heyday comes to an end with "les portes de la nuit" (1946)And it's sure that- whatever the new wave's view on the matter-these thirties and forties movies are among the very best French cinema gave to the world("le jour se lève" "quai des brumes""les enfants du paradis" and "hôtel du nord" ,to name but four are the crème de la crème ,easily equalling the best of Renoir)One always tries to minimize Carné's importance,mentioning the actors (Gabin,Arletty,Simon,et al)and Jacques Prévert's screen plays.One often forgets that Carné did direct these masterworks and he always chose the right actors,decorators(Alexandre Trauner who was to work in Hollywood later),musicians,with mind-boggling results.

"Therese Raquin" (1953)came before the new wave but Carné 's credibility was sinking fast and he was given the coup de grace by his young "nouvelle vague" colleagues -before being restored to favor after 1980,actually after he stopped directing ."Therese Raquin is a fine mixing of pre and post -war elements

Pre-war:the lovers' impossible dream,fate -here represented by a young sailor-,scumbags who cannot stand true love-the scene on the train between Raf Vallone and Jacques Duby recalls the famous one between Jean Gabin and Jules Berry in "le jour se lève" (1939) particularly when Vallone screams"are you gonna shut your mouth?"(the lines are almost the same).

Post-war:the influence of the film noir-which was influenced by Marcel Carné's work mainly "le jour se lève"-who cares if it's a Zola adaptation?:the scenarists have transposed the action to the fifties,to the era of the making of the movie,and James Cain could have written it as the story reminds the spectator "the postman always rings twice:more than Tay Garnett's excellent version(1946),"Therese Raquin" is actually closer to Luchino Visconti's (Ossessione,1942),because of the Italian Raf Vallone's presence.

But in spite of the transposition,Zola's spirit remains intact:the stifling petit bourgeois milieu in which Thérèse (Simone Signoret)lives is meticulously depicted:the notions store ,the walk on the Rhone banks,the ludicrous board game,the dreadful mother-in-law(Sylvie is absolutely extraordinary;after she suffered an attack after her son's death,she's completely paralyzed ; only her eyes (her frightening eyes) are alive,accusing her daughter-in-law:Cain's eye in the Bible.In her over possessive part of a mother who has turned her only child into a poor guy,a sissy,Sylvie surpasses the excellent Signoret and Vallone.

No,Carné's career was not over in 1946,but after "Thérèse Raquin",the slump began:""les tricheurs" (1958)tried to catch up with the nouvelle vague with mixed artistical results,but has remained watchable."Trois chambres à Manhattan" (1965)was moderately interesting,thanks to its stars ,Maurice Ronet and Annie Girardot.After,it's downhill:"les jeunes loups" (1967)is a would be "a la mode" bomb,"les assassins de l'ordre"(1971) tried André Cayatte's style ,not exactly the right move and "la merveilleuse visite"(1973) failed dismally(as in "les visiteurs du soir",(1942),Satan sent two people,it's God's turn who send an angel!)

"Thérèse Raquin" should not be missed.You won't be disappointed .


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