Kelly, a prostitute, traumatised by an experience, referred to as 'The Naked Kiss,' by psychiatrists, leaves her past, and finds solace in the town of Grantville. She meets Griff, the ... See full summary »
On a crowded subway, Skip McCoy picks the purse of Candy. Among his take, although he does not know it at the time, is a piece of top-secret microfilm that was being passed by Candy's consort, a Communist agent. Candy discovers the whereabouts of the film through Moe Williams, a police informer. She attempts to seduce McCoy to recover the film. She fails to get back the film and falls in love with him. The desperate agent exterminates Moe and savagely beats Candy. McCoy, now goaded into action, confronts the agent in a particularly brutal fight in a subway.Written by
According to Samuel Fuller's autobiography, "A Third Face," Betty Grable had wanted the role of Candy, and demanded that there be a dance number in the film. Fuller refused. Grable then said she would do the film without the dance number, but by that point Fuller had been rehearsing with Jean Peters and didn't want to lose her for the role. See more »
When Skip gets off a subway train at the 33rd street station, he is getting off of an IND line R-1 train. There is no 33rd street station on any IND line. The only 33rd street station is on the Lexington Ave Line(today known as the #6 train). The Lexington Ave line is a branch of the IRT line and did not use the R-1 cars. They used the Low V cars. An R-1 car was too wide and would not fit on to the IRT tracks See more »
[after first kiss with Candy]
Sometimes you look for oil, you hit a gusher.
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When the movie was released in France, the French dubbing replaced the communists spying with drug dealing to avoid political controversy. No English print with subtitles went in circulation. The French title "Le port de la drogue" could be translated by "Pier of Drug". The original version was released several years after. See more »
The best of the seven Sam Fuller movies that I've seen (including Park Row, Run of the Arrow, Verboten!, Shock Corridor, The Naked Kiss, The Big Red One, and this film), Pickup on South Street counts as one of the best film noirs. It represents Fuller at his most controlled. I like him when he's out of control, of course, but nearly everything in Pickup is perfect. The film is absolutely beautiful. Richard Widmark stars as a pickpocket who steals some microfilm that was meant to go to communist spies. Jean Peters plays the woman who was carrying the film for her boyfriend, played by Richard Kiley. Peters is forced to find Widmark and get it back. She finds him through a stool pigeon played by Thelma Ritter. Widmark and Peters are attracted to each other, which changes Peters loyalties (that, and the fact that she learns she's working for communists; the Cold War stuff is really interesting). The love story is done a little quickly and not entirely believable, but it's not so bad that it harms the film (unlike Fuller's previous film, Park Row). Richard Widmark is great. This must be one of his best roles, but I'm not so familiar with his career that I can say that for sure. Thelma Ritter gives the most memorable performance. Her role gives the film an unexpected emotional resonance, and her final scene in this film is as touching as any you will find in the cinema. I will never forget that. 10/10.
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