Although allergic to kissing girls, Seaman Melvin Jones, through a fluke TV appearance, gets the undeserved reputation of a great kisser dubbed "Mr. Temptation" and is pursued by amorous young females.
Herman owes a lot of gambling debts. To pay them off, he promises the mob he'll fix a horse, so that it does not run. He intends to trick his animal-loving cousin, Virgil, an apprentice ... See full summary »
The origin of Anthony and Miller, a wildly successful comedy team, can be traced back several years to Harvey Miller's stage fright on the golf links. Although the son of a skilled golfer and an outstanding player in his one right, Miller is too nervous to golf in front of a gallery. He becomes coach and caddy for Joe Anthony, his girlfriend's brother, who must convince his fisherman father that hitting a little ball into a hole can be more lucrative than trawling the Pacific Ocean. While on the PGA tour, their natural comedic abilities are recognized by a shrewd agent who senses their talent and potential, and a new comedy team is born.Written by
Gabe Taverney (firstname.lastname@example.org)
"That's Amore", sung by Dean Martin, became a multi-million seller and one of his signature songs. The tune also appeared in the closing credits of Rear Window (1954) and is regarded as the theme song to Moonstruck (1987). An instrumental version can be heard in Houseboat (1958). See more »
When Harvey Miller Jr. pushes open the caddies' shower room with soap in his eyes the door is made of glass. When he next appears exiting the room the door is made of wood. See more »
[At an elegant country club soiree]
[Feeling underdressed and out of his element]
I better make that 'good night.' I'm out of uniform.
You're positively stunning. So what if you left your dinner jacket at home?
I left it in Kansas City, but I can show you the pawn ticket.
I believe you. Shall we dance?
Only if I lead.
You can lead.
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this was the first film of the famed martin and lewis team that i've seen. in fact so far it's the only one i've seen. and right now i'm wondering how in the hell did thse two guys build a franchise with this junk? i love the marx bros, the honeymooners, chaplin, keaton, abbott and costello even the stooges, so it's not like i don't like screball antics it's just that 'the caddy' is a really bad film thats even more poorly directed and produced. i hope the next film of theirs i see makes me want to watch a third but right now these two have swung and missed.
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