Three Broadway producers struggling to get backing for their show hope one's sudden inheritance of a half interest in a Parisian fashion house is the answer. They travel to Paris only to learn the salon is in debt and requires their help.
Maggie Scott (Ann-Margret), a fashion buyer in Paris on her first buying spree where she meets famous fashion designer Mark Fontaine (Louis Jourdan) and he immediately gives her the big ... See full summary »
Gar Evans is a "high pressure" promoter who tends to be unrealistically optimistic about his projects and exaggerates the chance of success. He sets up the "Golden Gate Artificial Rubber ... See full summary »
Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brett as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner.
While Louie is on vacation, the boys turn The Sweet Shop into an escort service, and soon find a group of beautiful girls as their first clients. What they don't know, however, is that the ... See full summary »
Sailor Danny Xavier Smith and two other gobs try to save his sister Susan's virtue. She wants to get a role in the show "Hit the Deck". After wrecking the producers hotel suite, they land ... See full summary »
Al Marsh, Tony Naylor and Jerry Ralby, Broadway producers, are desperately looking for backers. Al is one of the heirs of a dress salon in Paris, but this is almost bankrupt. The two other heiresses, Stephanie and Clarisse and the three producers are able to convince the creditors to back a fashion show there. Things become complicated, when Al and Tony fall in love with Stephanie and Al's New York girl friend Bubbles arrives.Written by
Stephan Eichenberg <email@example.com>
All of the characters' names, except for Stephanie, were changed from the original show, entitled "Roberta". See more »
In the restaurant, when Jerry and Clarisse start dancing, his right arm at her waist pins one end of her scarf to her body. In the very next shot, although his arm hasn't moved, the scarf end is flapping loosely. See more »
I can't remember the last time I saw such a wonderful, talented cast in such a forgettable movie. Take a look at that cast: Red Skelton, Howard Keel, Marge and Gower Champion, Ann Miller, even Zsa Zsa Gabor (and yes, I'm leaving out Grayson intentionally; she was not that talented). But the script is God-awful, and nothing works. What was the point of redoing a very exceptional previous movie, the 1930s Roberta with Irene Dunne, Fred Astaire, and Ginger Rodgers - and yes, Randolph Scott - if you weren't going to do something at least as good? Grayson can't hold a candle to Dunne when it comes to singing the big numbers in the show - Yesterdays, Smoke Gets in Your Eyes; they don't trust her with You're Lovely to Look At, and give it to the chorus instead - and she certainly was not in Dunne's league as an actress. The Champions do a beautiful dance number with Smoke Gets in Your Eyes, which is probably the highlight of the movie, but they don't have any charisma as actors. Keel is a great singer and has real charisma as an actor, but he's largely wasted here, as is Skelton, who has an embarrassing comedy number.
If you know the 1930s Roberta, this will make you cringe. If you don't, it still won't hold your interest.
Why they bothered with this, I don't know. Everyone in it did much better elsewhere.
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