6.3/10
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28 user 4 critic

Lovely to Look At (1952)

Approved | | Comedy, Musical, Romance | 4 July 1952 (USA)
Three Broadway producers struggling to get backing for their show hope one's sudden inheritance of a half interest in a Parisian fashion house is the answer. They travel to Paris only to learn the salon is in debt and requires their help.

Director:

Mervyn LeRoy

Writers:

George Wells (screenplay), Harry Ruby (screenplay) | 2 more credits »
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Cast

Complete credited cast:
Kathryn Grayson ... Stephanie
Red Skelton ... Al Marsh
Howard Keel ... Tony Naylor
Marge Champion ... Clarisse
Gower Champion ... Jerry Ralby
Ann Miller ... Bubbles Cassidy
Zsa Zsa Gabor ... Zsa Zsa
Kurt Kasznar ... Max Fogelsby
Marcel Dalio ... Pierre
Diane Cassidy Diane Cassidy ... Diane
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Storyline

Al Marsh, Tony Naylor and Jerry Ralby, Broadway producers, are desperately looking for backers. Al is one of the heirs of a dress salon in Paris, but this is almost bankrupt. The two other heiresses, Stephanie and Clarisse and the three producers are able to convince the creditors to back a fashion show there. Things become complicated, when Al and Tony fall in love with Stephanie and Al's New York girl friend Bubbles arrives. Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

Plot Summary | Add Synopsis

Taglines:

One of the Grandest Romantic Musicals in Years! See more »


Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

4 July 1952 (USA) See more »

Also Known As:

El amor nació en París See more »

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Box Office

Budget:

$2,813,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Sound System)

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

All of the characters' names, except for Stephanie, were changed from the original show, entitled "Roberta". See more »

Goofs

In the restaurant, when Jerry and Clarisse start dancing, his right arm at her waist pins one end of her scarf to her body. In the very next shot, although his arm hasn't moved, the scarf end is flapping loosely. See more »

Quotes

Bubbles Cassidy: You've got a lot of nerve. What do you think I am? A bodyguard or something?
Tony Naylor: But, Bubbles, baby...
Bubbles Cassidy: Don't you baby Bubbles me!
See more »

Connections

Version of Roberta (1969) See more »

Soundtracks

Opening Night
(uncredited)
Music by Jerome Kern
Lyrics by Dorothy Fields
Sung by Howard Keel, Red Skelton and Gower Champion
See more »

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User Reviews

A very unfortunate remake
25 October 2011 | by richard-1787See all my reviews

I can't remember the last time I saw such a wonderful, talented cast in such a forgettable movie. Take a look at that cast: Red Skelton, Howard Keel, Marge and Gower Champion, Ann Miller, even Zsa Zsa Gabor (and yes, I'm leaving out Grayson intentionally; she was not that talented). But the script is God-awful, and nothing works. What was the point of redoing a very exceptional previous movie, the 1930s Roberta with Irene Dunne, Fred Astaire, and Ginger Rodgers - and yes, Randolph Scott - if you weren't going to do something at least as good? Grayson can't hold a candle to Dunne when it comes to singing the big numbers in the show - Yesterdays, Smoke Gets in Your Eyes; they don't trust her with You're Lovely to Look At, and give it to the chorus instead - and she certainly was not in Dunne's league as an actress. The Champions do a beautiful dance number with Smoke Gets in Your Eyes, which is probably the highlight of the movie, but they don't have any charisma as actors. Keel is a great singer and has real charisma as an actor, but he's largely wasted here, as is Skelton, who has an embarrassing comedy number.

If you know the 1930s Roberta, this will make you cringe. If you don't, it still won't hold your interest.

Why they bothered with this, I don't know. Everyone in it did much better elsewhere.


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