A police lt. is ordered to stop investigating deadly crime boss Mr. Brown, because he hasn't been able to get any hard evidence against him. He then goes after Brown's girlfriend who despises him, for information instead.
A down-on-his-luck ex-G.I. finds himself framed for an armored car robbery. When he's finally released for lack of evidence, after having been beaten up and tortured by the police, he sets out to discover who set him up, and why. The trail leads him into Mexico and a web of hired killers and corrupt cops.Written by
None of this movie was shot in Kansas City. See more »
When Joe Rolfe exits his vehicle at the very beginning of the movie, the camera operator's face and white shirt can clearly be seen, reflected on the side of the car. See more »
It don't take no big thinking to figure a couple of guys like us ain't in this bananaville on a vacation!
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Opening credits prologue: In the police annals of Kansas City are written lurid chapters concerning the exploits of criminals apprehended and brought to punishment.
But it is the purpose of this picture to expose the amazing operations of a man who conceived and executed a "perfect crime", the true solution of which is NOT entered in ANY case history, and could well be entitled "Kansas City Confidential".
This absorbing crime drama is also one of the most well-crafted movies of its genre. It tells its story with few frills, but with plenty of interesting details and a well-timed pace. John Payne gets one of his best roles, with a very good supporting cast. A strong sense of danger and uncertainty is built up early, and is effectively carried through the whole movie, right up to the end.
Payne is well-cast as an ex-convict who gets framed by a very clever criminal mastermind, and who then determines to seek out the truth. In itself, the setup is a familiar one, but "Kansas City Confidential" gets quite a lot out of it, and it is hardly predictable. The story moves from one hazardous situation to the next, with very little pause for relief, maintaining the tension constantly. Preston Foster is also very well-suited for his role as the ex-police captain, and the roles of the three lowlifes are well-acted by Neville Brand and young-looking Lee Van Cleef and Jack Elam.
The atmosphere and characters both work particularly well. The story has perhaps a couple of implausible turns, but in itself it is so carefully constructed that this really doesn't matter. Director Phil Karlson certainly deserves praise for putting things together so well. Very few B-movies are this well-conceived, and as a result it still holds up very well.
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