Johnny Damico botches a murder case and is suspended from the force. In reality, he is put undercover to identify the mysterious boss of the NY waterfront who has murdered everyone in his way. Will Johnny be next in line?
A business tycoon decides to wed a Middle Eastern princess whose customs dictate the pair must live apart for several months before marrying; even more complications settle in when the tycoon's ex-fiancée is assigned to chaperone the pair.
Attorney Wayne Fletcher and his secretary are having an affair, so when Wayne's wife is found smothered to death, he becomes the prime suspect. As the police investigate the murder, a ... See full summary »
Lon Chaney Jr.,
J. Edward Bromberg
In one of his earliest screen appearances, Jeff Richards plays one of the rehabilitating soldiers in the hospital flashback scene. See more »
After the dance number with Jane and the three guys with serving trays, they place the trays behind him and the sticks on the bottom they held while dancing were clearly visible, but cut to the next shot and the trays are flat on the floor. See more »
MGM co-feature...relentlessly padded, even at 85 minutes
Ex-serviceman, posing as an insurance salesman but actually working for a racketeer, allows a pretty but romantically-aloof waitress to talk him into taking the drummer's gig at the jazz club where she works; naturally, he thinks this means she loves him, but she's got eyes for his dapper former boss. "The Strip"--as in Hollywood's famous Sunset Strip--is, if nothing else, a flashback to Los Angeles in 1951, when wealthy mobsters ruled the underworld and nightclubs were packed with patrons just waiting for a hot drum solo. If it weren't for Joe Pasternak's production and Robert Surtees' cinematography, this MGM effort would easily pass for a b-movie. The script and characters are too thin to support the framing story about a shooting, while Mickey Rooney's hyper lead performance verges on camp. Rooney, playing a musician so clean-cut he actually leaves the lucrative 'dark side' for a life of hoped-for domesticity, is unconvincingly unfettered by drugs or booze--his vice is romance! The movie has no connection with reality, though the soloists (including Louis Armstrong and Vic Damone) are enjoyable. ** from ****
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