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Quo Vadis (1951)

Not Rated | | Biography, Drama, History | 25 December 1951 (USA)
Trailer
1:47 | Trailer
Fierce Roman commander Marcus Vinicius becomes infatuated with beautiful Christian hostage Lygia and begins questioning the tyrannical leadership of the despot Emperor Nero.

Directors:

Mervyn LeRoy, Anthony Mann (uncredited)

Writers:

John Lee Mahin (screen play), S.N. Behrman (screen play) | 2 more credits »
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Nominated for 8 Oscars. Another 4 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Robert Taylor ... Marcus Vinicius
Deborah Kerr ... Lygia
Leo Genn ... Petronius
Peter Ustinov ... Nero
Patricia Laffan ... Poppaea
Finlay Currie ... Peter
Abraham Sofaer ... Paul
Marina Berti ... Eunice
Buddy Baer ... Ursus
Felix Aylmer ... Plautius
Nora Swinburne ... Pomponia
Ralph Truman Ralph Truman ... Tigellinus
Norman Wooland ... Nerva
Peter Miles Peter Miles ... Nazarius
Geoffrey Dunn Geoffrey Dunn ... Terpnos
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Storyline

Returning to Rome after three years in the field, General Marcus Vinicius (Robert Taylor) meets Lygia (Deborah Kerr) and falls in love with her, though as a Christian, she wants nothing to do with a warrior. Though she grew up Roman, the adopted daughter of a retired General, Lygia is technically a hostage of Rome. Marcus gets Emperor Nero (Sir Peter Ustinov) to give her to him for services rendered, but finds himself succumbing gradually to her Christian faith. Written by John Oswalt <jao@jao.com>

Plot Summary | Plot Synopsis

Taglines:

The Greatest Spectacle Ever Filmed...Three Triumphant Hours of Unforgettable Thrills! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

25 December 1951 (USA) See more »

Also Known As:

Qvo Vadis See more »

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Box Office

Budget:

$7,623,000 (estimated)

Cumulative Worldwide Gross:

$101,486
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Sound System)

Color:

Color

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Originally cast in 1949, with Elizabeth Taylor as Lygia, and Gregory Peck as Marcus Vinicius. When the production changed hands the following year, the roles were re-cast with Deborah Kerr and Robert Taylor. See more »

Goofs

As Petronius is committing suicide, one of his friends lays his head down on the table in grief. From one angle, it's a friend on the right side of the table. From a similar angle, it's a friend on the left side of the table, and it does not appear to be the same actor in the scene. See more »

Quotes

Emperor Nero: [annoyed] Why do you stare at me, Acte?
Acte: My lord, I can only say... when all this sets with the final sun, remember the look of Acte.
Emperor Nero: [snidely] Why should I remember you?
Acte: No one loves you as I love you.
Emperor Nero: I command you to *stop* loving me!
See more »

Alternate Versions

The DVD release restores the original overture and exit music, which, up until that point, was only heard in the original roadshow release and in the 1964 roadshow re-release. See more »

Connections

Referenced in Serious Charge (1959) See more »

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User Reviews

Lives up to your expectations...Leo Genn and Peter Ustinov steal the acting honors...
11 May 2001 | by DoylenfSee all my reviews

Ancient Rome never looked so good--especially in the gorgeous MGM technicolor of 1951. Costumes, sets, photography and music are all of a high order--and all of the performances are competent with two outstanding ones by Leo Genn (Petronius) and Peter Ustinov (Nero). Ustinov reminds me of an overbaked Charles Laughton in some of his mad scenes, but he is a convincing weakling as Nero. Leo Genn has some of the wittiest dialogue and handles his lines with professional ease, his eyes flashing with humor as he pretends to agree with Nero on certain points. Robert Taylor is stalwart in the lead giving his usual dependable performance and Deborah Kerr is lovely (if a bit British in manner) as Lygia.

All the action and excitement you want from a spectacle--the burning of Rome, Christians in the arena thrown to the lions, the triumphal marches accompanied by Miklos Rozsa's mighty score--and scenes with sentimental and religious overtones (sometimes too extended and talky) --all combine to make the kind of lush spectacle MGM knew would be popular at the box-office. Although discriminating critics found fault with certain factors, it won eight Academy Award nominations with Ustinov and Genn both nominated for supporting roles.

Grand scale spectacle--but don't expect anything deep.


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