6.8/10
253
12 user 12 critic

Pickup (1951)

Approved | | Drama, Film-Noir | 24 July 1951 (USA)
Low-budget, tabloid-lurid story with high camp value of older man falling for much younger beauty who's busy figuring out how she can kill him now that they're married. Nasty verbal ... See full summary »

Director:

Hugo Haas

Writers:

Hugo Haas, Arnold Lipp (as Arnold Phillips) | 1 more credit »
Reviews
1 nomination. See more awards »

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Cast

Complete credited cast:
Hugo Haas ... Jan Horak
Beverly Michaels ... Betty
Allan Nixon Allan Nixon ... Steve
Howland Chamberlain ... Professor
Jo-Carroll Dennison ... Irma
Mark Lowell Mark Lowell ... Waiter
Marjorie Beckett Marjorie Beckett ... Secretary
Jack Daley Jack Daley ... Company Doctor
Art Lewis ... Driver
Bernard Gorcey ... Joe
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Storyline

Low-budget, tabloid-lurid story with high camp value of older man falling for much younger beauty who's busy figuring out how she can kill him now that they're married. Nasty verbal encounters and above all, Beverly Michaels, spike up this flick. Written by <cantor@sirius.com>

Plot Summary | Add Synopsis

Taglines:

The low-down on a come-on girl! See more »

Genres:

Drama | Film-Noir

Certificate:

Approved | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

24 July 1951 (USA) See more »

Also Known As:

Aufgelesen See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Connections

Referenced in Dungeon Girl (2008) See more »

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User Reviews

 
Surprisingly Decent! Hugo Haas Done It Right
16 April 2003 | by secragtSee all my reviews

The reviewer who said "Citizen Kane it ain't" got it right. This is lowbrow stuff to be sure, but for what it is, Haas demonstrates a surprisingly keen eye for both dialogue and characterization, two things supremely lacking in the cheaper and lesser BAIT produced a few years later. Best of all, this is a highly entertaining ride, with a solid and credible performance by Haas as the pigeon who all but begs for a plucking until he sees the light (or rather hears the dark) when he overhears the plotting and venomous bile directed at him by his conniving and venal wife, who believes him to be deaf.

Trumping all however is the bravura dominatrixesque performance of Ms. Michaels as the throaty pointy-bra'ed femme fatale. Here's one of the few broads I've ever come across who might be able to actually compete with Ann Savage's mouthy and devouring DETOUR chippie for supremacy over a castrated male race. And leave the male species begging for more.

Also in the movie's favor is a reasonably tight storyline which features some nice twists and reveals with great gusto the true depths of treachery to which Michaels gleefully stoops to get her $7300 out of Haas. Again, this isn't DOUBLE INDEMNITY and it certainly isn't Shakespeare but it's charmingly pulpy and has an agreeably creamy evil nougat centre.


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