Russ Ward, after 30 years of producing Broadway plays, is ready to quit. His secretary, Ellie Brown, on being given notice, tells him she loves him. Russ proceeds to turn this into a hit ... See full summary »
Rip-roaring big star, big budget semi-historical story about cattle baron Devereaux Burke, who is enlisted by an aging Andrew Jackson to dissuade Sam Houston from establishing Texas as a republic. Burke must fight state senator Thomas Craden, in the process winning the heart of Craden's newspaper-editor girlfriend Martha Ronda.Written by
Lew Amack (LAlawMedMBA@aol.com)
This was a box-office success, earning MGM a profit of $990,000 ($9.2 million in 2017 terms), according to studio records. See more »
Throughout the film, they use pistols and rifles that did not exist at the time Texas entered the union. See more »
Gentlemen, can't you see what this means? We'll be a giant of the Western Hemisphere. As a state, we'll just be one of 28. As a Republic we can command the respect and fear of not only the United States, but the entire world. Why should we give up an Empire just for statehood!
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I'm frightened. For the first time in my life, I am frightened for the future of the United States.
1845 Texas, Independent, survived Alamo, Goliad and San Jacinto ... But Annexation?
Quite often the joy in being a fan of genre film making, in this case Westerns/Southerns et al, is that a pic can coerce you into reading up on real instances. Thus making this particular picture a requisite requirement for literature delving.
Directed by Vincent Sherman and written by Borden Chase (who would supposedly be irked by the depiction of his writing) and Howard Estabrook, Lone Star comes off as an "A" list film given "B" list production values. Nothing wrong with cast performances, Gable still has charisma in his fifties, Gardner oozes sexuality and Crawford dominates like a great presence should. However, it looks stagy, is overly talky as the makers try to make a politico pot boiler out of a sow's behind, while the action - in spite of a grandiose battering ram finale - just doesn't have an oomph factor.
Romantic love triangle feels pointless in the context of such historical filmic tellings, but this is off set by the Sam Houston and Native American splinter of the narrative. Rendering this as a frustrating whole, not without merits, and above average for sure, but difficult to recommend as one to seek out as a must. 6/10
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