Ted Mason is a studio guide at CBS Television in Hollywood. His ambition is to get a break and become a headline singer such as 'Frankie Laine (I)', Toni Arden and Billy Daniels, who he ... See full summary »
A San Francisco hood is rubbed out by rival Bruno Felkin, who himself reports the crime to Homicide Lieut. Kelsey in an alibi scheme which fails. To escape, he stows away on a fishing boat.... See full summary »
The plot involves Ireland, captain of a tired oil tanker, and Crawford, the ship's engineer. The pair soon find themselves at odds over their mutual affection for Drew (who happens to be Crawford's fiancee).
A Maine lobster fisherman, trained as an architect, prefers to be a fisherman over the objections of his fiancée. The latter, a welfare worker for the state, finds a home for a 12-year-old ... See full summary »
Marsha Meredith, an attorney-at-law, is nominated for a Federal judgeship, but her nomination is opposed by a 'Good-Government' group who think her divorce makes her unfit for the job. This... See full summary »
A New York City detective, traveling by train between New York and Baltimore, tries to foil an on-board plot to assassinate President-elect Abraham Lincoln before he reaches Baltimore to give a major pre-Inauguration speech in 1861.
Expectant parents Joe and Betsy Bennett anxiously await the arrival of their new baby. Then after the baby arrives, they discover the unpleasant side of parenting: sleepless nights, extra ... See full summary »
Palm trees, red sunsets, gator wrasslin', and Terry Moore covered in mud...
Theodore Pratt's book becomes somewhat uncertain comedy-drama-adventure taking place in 1890 Miami, with land owner/confidence man Robert Cummings spreading word amongst the residents that a railroad will soon be running through South Florida. Jerome Courtland is the mail courier for the U.S. government who doesn't buy Cummings' story, especially after both men begin vying for the affections of runaway teen Terry Moore. Initially fluff-headed nonsense turns serious by the second half, with murderous scavengers trying to halt the progress, and swampland alligators giving everyone the bite. Cummings, talking as fast as Robert Preston in "The Music Man", looks every inch the dapper scoundrel, yet the writing doesn't give him a whole lot to work with (the script is plot-heavy without ironing out the characters). The overlit, occasionally gloppy color photography isn't helped by sequences that change from location shoots to studio replicas in the blink of an eye, and the wavering tone is disconcerting, yet director Earl McEvoy manages to keep everyone's spirits up and the picture is seldom dull. **1/2 from ****
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