Jenny Bowman (Judy Garland) is a successful singer who, while on an engagement at the London Palladium, visits David Donne (Sir Dirk Bogarde) to see her son Matt (Gregory Phillips) again, ... See full summary »
Rich kid Danny Churchill (Rooney) has a taste for wine, women and song, but not for higher education. So his father ships him to an all-male college out West where there's not supposed to ... See full summary »
Tommy Williams desperately wants to get to Broadway, but as he is only singing in a spaghetti house for tips he is a long way off. He meets Penny Morris, herself no mean singer, and through... See full summary »
Small-town Indiana girl Lily Mars dreams to be a stage actress. She begs visiting Broadway producer John Thornway for a role but he dismisses her as an amateur. She follows him to New York and worms her way into his show, and his heart.
Jimmy Connors and his girl-friend want to take part in Paul Whiteman's highschool's band contest, but they cannot afford the fare. But per chance the meet Paul Whiteman in person and are ... See full summary »
Paul Whiteman and Orchestra
As a favor to her actress sister Abigail, New England farmer Jane Falbury allows a group of actors use her barn as a theater for their play. In return, the cast and crew have to help her with the farm chores. During rehearsals, Jane finds herself falling for the show's director, Joe Ross, who also happens to be engaged to the show's leading lady-- Abigail.Written by
Daniel Bubbeo <email@example.com>
Judy Garland's inability to report to work as scheduled resulted in several continuity glitches in the final print, as there was not enough coverage. Two examples: the final shots of "Howdy Neighbor (Happy Harvest)," which necessitated two incrementally blown-up frames to cover the stark shift to a completely different background shot than had been used prior; and the final moment in the scene following "Friendly Star," during which Garland's distraught, overly emotional state necessitates a quick cut to the moon and an awkward freeze-frame to facilitate the transition to the next scene. See more »
As Jane drives her new tractor home, the sun is on her left for most of the drive until she comes to a village then the sun is on her right. The sun returns to her left after she leaves the village, having put water in the tractor's radiator. See more »
I like it. Let me explain, I like Gene Kelly and I like Judy Garland so I like this movie. It's a little weak on the plot, but there are a lot of good reasons to see it. For example- this was Judy Garland's last film with M-G-M. It has Get Happy in it, which is now included on practically all of Judy's 'best of' CDs. It's great to hear, but watching the number is marvelous. This was the year just before one of Kelly's major achievements, An American in Paris, and it's nice to see the difference in his billing, character, etc. Also, there's the romantic number 'You Wonderful You', which bears a resemblance to 'You Were Meant For Me' in Singin' in the Rain with the stage lights and stuff. It's obvious that Gene Kelly picked up some things he liked and carried them with him. That's why I like this movie. Yes, it's cute and breezy, but sometimes you just want a Garland/Kelly musical!
P.S. And who could blame you? ; )
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