Mercedes (Marga Lopez) dances for money with the clients of Salon Mexico, a famous cabaret in Mexico City. Her younger sister Beatriz (Derbez) studies in an expensive private school, paid ... See full summary »
Reynaldo and Martín Del Hierro are witnesses of the murder of their father by Pascual Velazco, as they grow up they're poisoned by the desire of vengeance by their mother, but once they get it it'll change their lifes forever.
Poor, hungry peasant Macario longs for just one good meal on the Day of the Dead. After his wife cooks a turkey for him, he meets three apparitions, the Devil, God, and Death. Each asks him... See full summary »
A artist model who leads the ever hapless Arturo de Córdova away from the arms of his innocent, blue-eyed wife and down, down, down into the ecstatic depths of degradation which include a stop at seedy Panamanian nightclub.
Arturo de Córdova,
A psychological melodrama about a lonely country woman who embarks on a marriage with a city chauffeur which is doomed to fail, this vehicle for an actress who would commit suicide later ... See full summary »
With the purpose of using barbasco roots in the production of cortisone, a pharmaceutical company sends a scientist to investigate the possibilities of exploitation in Veracruz, but the man... See full summary »
Actor Pedro Armendáriz and director Roberto Gavaldón produced this strong rural melodrama, set in an iconic Mexican town, where landowners rule in a feudalistic manner (as they still do up to this day in many places). Probably Armendáriz produced the film as a reaction to his frequent casting as a passive indigenous peasant or too good loud-mouthed soldier: he is still shouting in this one, but now as Rosauro Castro, a mean and menacing tyrant who stops at nothing to control the town and its people. A moral tale written by Gavaldón and playwright José Revueltas (with dramatic elements that predate both "High Noon" and "The Man Who Shot Liberty Valance", from a story by Robert Quigley, British writer and filmmaker who frequently worked in Mexico), it starts with the killing of a candidate to mayor, and the arrival of a government official (Arturo Martínez in a rare performance as a good guy), who suspects of Castro's tyrannical ways and wants to teach the town authorities more civilized ways to administer justice. All the action takes place in 24 hours, with a highly dramatic third act, but everything is told in less than 90 satisfactory minutes.
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