Upon discovering his fiancée Tollea has been kidnaped, Ramu and his friend Kado set out for a Pacific isle where all strangers are to be killed on arrival and the inhabitants, who are ... See full summary »
In the early Fifties Pauline Karka (Maria Schell) comes to Berlin. She is pregnant and totally penniless. She meets the laundry owner Anna John (Heidemarie Hatheyer) who always yearned to ... See full summary »
Pierre Martel is a brilliant lawyer in Paris who has fallen in love with a ravishing Italian girl, Sylvia Sorrego and they take up housekeeping on a luxurious scale beyond his means, and ... See full summary »
A man is found murdered, with witnesses convinced about the woman they saw leaving his apartment. However, it becomes apparent that the woman has a twin, and finding out which one is the killer seems impossible.
Olivia de Havilland,
A young writer goes to Wiesbaden to write about gambling and gamblers, only to ultimately become a compulsive gambler himself. Losing all his wealth, as well as his moral fibre, he commits ... See full summary »
Bachelor Harry Quincey, head designer in a small-town cloth factory, lives with his selfish sisters, glamorous hypochondriac Lettie and querulous widow Hester. His developing relationship ... See full summary »
An American gangster born in Italy, Vic Smith (Jeff Chandler), after being deported back to Italy as an undesirable citizen, gets involved with an Italian black-market ring and falls in love with Countess Christine di Lorenzi, a beautiful widow.Written by
Les Adams <email@example.com>
"Deported" was one the last of Siodmak's American movies,and I have got to agree with the precedent user:it's probably his weakest American effort (for that matter,only the ridiculous " Cobra woman" is worse).It's also the beginning of a period of barren inspiration-although some praise " the crimson pirate" - which would end when he returned in his native Germany where he made other great movies ("Nachts,Wenn Der Teufel Kam" "die Ratten"...).
Siodmak was always a cosmopolitan director who began his career in Germany (1929),then continued in France and spent the forties in America.So it was only natural he chose Italy as the place of his 1950 work.Unfortunately,his depiction of Italy is handicapped by the fact that Italians,most of the time,speak English between them,and that the screenplay is full of Italian clichés such as the meal with the uncle and the whole family.Some characters (Gina)appear and disappear without any purpose.Some (the Comtessa) are clichéd.And it takes a lot of imagination to believe that Jeff Chandler ,who never utters a word in Italian,was born there .Only the scenes in the warehouse where Siodmak does a smart use of toys -although too short- recall his film noir greatness (from " phantom lady" to " Thelma Jordan" (1944-1949) all that he did is classic or near-classic thriller)
11 of 12 people found this review helpful.
Was this review helpful to you?
| Report this