A contrived misunderstanding leads to the breakup of a songwriter and his fiancée. She returns to work as a gym teacher at an all-girls school, but a legal loophole allows the man to enroll as one of her students.
Ellen Hallet is in love with her playboy boss, Douglas Morrison, but is too timid to do anything about it. To help her, her roommate Chris decides to step in and devises a plan. Chris ... See full summary »
Three Broadway producers struggling to get backing for their show hope one's sudden inheritance of a half interest in a Parisian fashion house is the answer. They travel to Paris only to learn the salon is in debt and requires their help.
Expected to follow his opera star father into the business, but discontent with his life; a young man pursues a career in popular music and romances the aquatic-ballet dancer he met during his time in the service.
Scatterbrained Betty Barrett mistakes masseur Jack Spratt for Jose O'Rourke, the captain of the South American polo team. Spratt goes along with the charade, but the situation becomes more complicated when they fall in love. Meanwhile, Betty's sensible older sister Eve fears Betty's heart will be broken when Jose returns to South America. She arranges to meet with the real O'Rourke and love soon blossoms between them as well.Written by
Daniel Bubbeo <email@example.com>
A specially built, one-of-a-kind piano had been used during the early filming, but halfway through production it mysteriously disappeared from the set. Metro boss Louis B. Mayer was very upset at the lack of security and the increased production costs this would mean. Red Skelton told the studio head that he had an identical piano at home and would be willing to rent it to the studio. Mayer didn't believe him until Skelton drove him to his apartment to see it. An ecstatic Mayer offered $50 per diem for its use, but Red held out for $1000 a day. Faced with the prospect of keeping production waiting while a new one was built to order or reshooting the earlier scenes, Mayer capitulated. It never occurred to him that Skelton had stolen it with the aid of stagehands with whom he split the money. See more »
During the polo game at the end of the film, tire tracks from the camera car can be seen on the field right beside the players on horseback. See more »
It may have been cold outside, but watching 'Neptune's Daughter' left me feeling warm inside
While not a great film, and it won't be for all tastes, 'Neptune's Daughter' was to me an entertaining film that ticked most of the right boxes.
'Neptune's Daughter' is at its weakest in the story department, where the silly and thin mistaken-identity story is purely functional at best, where a few parts border on the improbable. Keenan Wynn is given little to do and his acting and narration felt like they belonged in another (darker) film because they seemed at odds here. Most of the comedy is a lot of good-natured fun, but some falls flat due to being overdone somewhat.
However, 'Neptune's Daughter' is a beautiful-looking film, with opulent use of colour, handsome cinematography and elegant costumes and sets. The songs and music are pleasant and energetic, "Baby It's Cold Outside" being one of the most deserving wins in the Best Song category though Red Skelton and Betty Garrett's number with Xavier Cugat is a delight too.
While not all the comedy works, most of it does and in a way that's genuinely amusing and good-natured. The highlight is Skelton and Garrett's first date in her apartment, a hilarious scene and beautifully played and executed. The staging for the songs is suitably spirited and always pleasing visually, though while the big water ballet is beautifully photographed and performed and fun it wasn't quite the "aqua spectacular" that was expected, just lacking the continuous energy and imagination of the best Esther Williams water ballets.
Esther Williams is very charming and brightens up the screen whether in or out of the water, while Ricardo Montalban is suave, devilishly handsome and full of energy and charisma. Red Skelton seems to be really enjoying himself and is very funny, a riot even in his best bits, and bubbly Betty Garrett enchants the viewer from the moment she's introduced to her last second. Look out also for a rare live-action appearance from the immortal voice actor Mel Blanc, in case you don't spot him he's the mustachioed guy that sounds exactly like Speedy Gonzales.
In conclusion, a very enjoyable film that did make me feel warm inside, though it is not masterpiece status. 7/10 Bethany Cox
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