In nineteenth-century France, the romantic daughter of a country squire (Emma Rouault) marries a dull country doctor (Charles Bovary). To escape boredom, she throws herself into love ... See full summary »
A young woman in her late teens, a reader of novels and with high hopes of romance and passion, marries a widowed country doctor. Although he dotes on her, she is soon bored and discontent.... See full summary »
Soon after the death of his first wife (whose dowry was inadequate), Charles Bovary, a country doctor in Normandy, marries Emma Rouault, who is well-endowed in every sense. In her new home,... See full summary »
At an exclusive psychiatric clinic, the doctors and staff are about as crazy as the patients. The clinic head, Dr. Stewart McIver, thinks that it would be good therapy for his patients to ... See full summary »
French author Gustave Flaubert is on trial for writing the "indecent" novel "Madame Bovary." To prove that he wrote a moral tale, Flaubert narrates the story of beautiful Emma Bovary, an adulteress who destroyed the lives of everyone she came in contact with.Written by
Daniel Bubbeo <email@example.com>
The white dress worn by Emma Bovary (Jennifer Jones) is similar to the gown worn by Gigi (Leslie Caron) in "Gigi". Both are elegant white gowns with blackbirds at the shoulder. Minnelli directed both films and must have given Gigi costume designer, Cecil Beaton, this direction. See more »
[at his trial]
To declare that men have absolute power over truth is blasphemy, and the last delusion. Truth lives forever, men do not.
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Wonderful performances by Jones and Heflin and splendid directorial realization overcome the spurious moralizing fore and aft tags in which Metro saw fit to sandwich the story. There were complaints for years about the scripting of the novel, but tell me, "What's missing?" I've read the novel at least a dozen times and seen the film many more times than that and all that is missing is Flaubert's 'Proustian' tendency to meander all around his themes with just one more detail. And, after the recent tedious Elizabeth Hubert version this film is exemplary in its efficiency and that makes me wonder if any of the original reviewers ever did read the book. Of course, the ball sequence is without peer, an unyielding display of erotic romanticism and unabashed narcissism. Bravo Vincent, Brava Jennifer!
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